The release last year of a 2007 reunion by the late Sam Rivers' trio confirmed what a creative drummer Altschul is. He has been one for decades. Altschul was a key player on the 1970s jazz scene, when the avant-garde got its groove on. Now, as then, he's great at mixing opposites: funky drive with a spray of dainty coloristic percussion, abstract melodic concepts with parade beats, open improvising and percolating swing. He's a busy player, but never too loud — he's also busy listening.
The orchestral swirls, the transition to a soul-man groove, the falsetto croon — there you have some of the key elements to Justin Timberlake's album The 20/20 Experience. The title implies a certain clarity of vision, even as any given song presents the singer as a starry-eyed romantic, bedazzled by a woman upon whom he cannot heap enough compliments, come-ons and seductive playfulness.
Ten years ago, the United States invaded Iraq and began what the Bush administration said would be a short war.
But it wasn't until December 2011 that the United States officially ended its military mission there.
In addition to the tens of thousands of Iraqis who died, the war cost the lives of nearly 4,500 American service members, and wounded more than 32,200 men and women in America's military. Many of the wounded vets have faced — or are still facing — long waits for their disability and other benefits to begin.
In Chinua Achebe's novel The Anthills of the Savannah, one of the characters says, "Poets don't give prescriptions. They give headaches."
The same is true of novelists, and none more so than Philip Roth. If any writer has ever enjoyed rattling people's skulls, it's this son of Newark, N.J., who's currently enjoying something of a victory lap in the media on the occasion of his 80th birthday. The celebration reaches its peak with a new documentary — Philip Roth Unmasked — that will screen on PBS next week as part of the American Masters series.
Top of the Lake, a new seven-part miniseries premiering tonight on the Sundance Channel, was co-created and co-directed by Jane Campion, who teamed with Holly Hunter 20 years ago on the movie The Piano. Hunter is back for this new project, playing a mysterious New Agey guru of sorts. She's started a small commune for emotionally damaged women, on a remote strip of land in New Zealand.