This interview was originally broadcast in 1999. Brubeck died on Wednesday at age 91.
In 1954, polls in the leading jazz magazines Metronome and Downbeat selected Dave Brubeck's band as the year's best instrumental group. That same year, Brubeck was the second jazz musician ever featured on the cover of Time Magazine (the first being Louie Armstrong).
"Were going to blink and be 90," Debbie tells Paul. "We have to make a choice to make things different."
Credit Suzanne Hanover / Universal Studios
Pete's friend Barry (Robert Smigel) offers some advice on entering middle age.
Credit Suzanne Hanover / Universal Studios
Five years after Judd Apatow's Knocked Up, Paul Rudd and Leslie Mann reprise their roles as married couple Pete and Debbie. Now years into their marriage with two kids (played by Iris and Maude Apatow), Pete and Debbie approach 40 less than gracefully.
Since earning a cult following for his acclaimed television show Freaks and Geeks, writer, producer, and director Judd Apatow has become a brand name. He has a new movie out this month — This Is 40 — and also guest-edits the January "Comedy Issue" of Vanity Fair.
He's an executive producer for the HBO show Girls and previously wrote, produced and directed the 2005 comedy The 40-Year-Old Virgin.
In her series for The New York Times, reporter Louise Story says that the manufacturing sector — automakers, in particular — benefit the most from incentive packages.
Credit The New York Times
Louise Story is an investigative journalist for The New York Times, specializing in business reporting. In 2009 she was a finalist for the Pulitzer Prize in Public Service for her reporting on the financial crisis of 2008.
In her new series for TheNew York Times called "The United States of Subsidies," investigative reporter Louise Story examines how states, counties and cities are giving up more than $80 billion each year in tax breaks and other financial incentives to lure companies or persuade them to stay put.
Jeff Bridges as John L. Bridges, Isabelle Huppert as Ella Watson and Kris Kristofferson as James Averill in the 1980 Western Heaven's Gate, a director's cut of which was released in November.
The director Francois Truffaut once remarked that it takes as much time and energy to make a bad movie as to make a good one. He was right, but I would add one thing: It takes extraordinary effort to make a truly memorable flop.
The best example is Heaven's Gate, the hugely expensive 1980 movie by Michael Cimino that is the most famous cinematic disaster of my lifetime. It's part of that film's legend that it not only took down a studio, United Artists, but was the nail in the coffin of Hollywood's auteur filmmaking of the 1970s.