Originally published on Wed January 16, 2013 10:32 am
Soul music, barbeque and Elvis Presley. World Cafe is spending this week getting the vibe of Memphis, Tenn., a city that — like New Orleans — has had an undeniable influence on all of American culture. Our "Sense of Place: Memphis" radio journey takes us to the five major studios where much of the music that came out of radios from the '50s to the '70s was made.
In the Latin music scene, there's always an innate pairing of the musical styles bomba and plena as one genre, but the two Afro-Puerto Rican genres are quite distinct. In this, the 27th segment of Latin Roots, Aaron Levinson discusses the birth of bomba and plena, as well as the different musical and rhythmic paths the genres have taken.
Originally published on Thu January 10, 2013 4:07 pm
More than 30 years have passed since the British band Graham Parker and the Rumour called it quits. While Parker never left music, he's always dismissed talk of a reunion with The Rumour — until now. The group is back with a new album, tour and high-profile film appearance.
Parker and The Rumour recorded and released their latest record, Three Chords Good, last year, and just wrapped up a handful of shows across Europe and the U.S. In addition to the album, the band also appeared as itself in Judd Apatow's latest movie, This Is 40.
Originally published on Mon March 11, 2013 5:50 pm
Few bands would categorize their sound as "mountaintop chamber music," yet The Last Bison's classical-influenced Southern folk-rock actually fits the bill. The septet emerged from the marshes of Chesapeake, Va., a couple years ago, and has since made a name for itself with its complex arrangements, refined lyrics and vocal harmonies. Singer-guitarist Ben Hardesty is the group's primary songwriter, and his style recalls the work of Mumford & Sons, The Decemberists and Fleet Foxes.
Originally published on Tue January 8, 2013 9:54 am
Kail Baxley is a young blues singer who grew up in the same South Carolina town as James Brown. Over the course of his childhood, he met the Godfather of Soul several times, and it had a profound effect on Baxley's development as a musician.
Cody ChesnuTT's debut album, 2002's The Headphone Masterpiece, was the result of two years spent recording alone in his bedroom. The double-length record is at once both sprawling and intimate; it encompasses a wide array of genres, but ChesnuTT sings and plays nearly every part.