Originally published on Fri March 15, 2013 12:03 pm
Kathy Reichs, the writer and scientist behind the TV show Bones, is back with a new novel for young adults. Code: A Virals Novel stars Tory Brennan, great-niece of Reich's famed crime-solving heroine Tempe Brennan. Reichs discusses the book, co-written with Brendan Reichs.
Host Michel Martin checks in with the Barbershop guys for a fresh cut on the week's news, including the new pope and college basketball's March Madness. Martin is joined by culture critic Jimi Izrael, attorney Arsalan Iftikhar, sports writer Pablo Torre and Reverend Leo Patalinghug.
I'm Michel Martin and this is TELL ME MORE from NPR News. Coming up, you might've been following the long debate over whether this country locks up too many people for too little reason and for too long. It turns out something else interesting is happening that you might not heard about - the racial breakdown of the prison population is changing. More white people, especially more white women, are getting locked up. And we'll find out more about that in a few minutes.
There's been a dramatic shift in the racial makeup of America's prison inmates, especially female inmates. To find out why, host Michel Martin talks with Sentencing Project Executive Director Marc Mauer, and author Patrice Gaines, who has worked with women in prison for more than 20 years. They say changes in drug crime enforcement, sentencing laws, and the economic downturn all played a role.
Navy veteran Freddie (Phoenix) falls under the influence of cult leader Lancaster Dodd (Philip Seymour Hoffman) in Anderson's film, which critic Ella Taylor describes as "one of the most twisted father-son tales ever told."
Credit Phil Bray / The Weinstein Co.
Paul Thomas Anderson (left) works with actor Joaquin Phoenix on the set of The Master.
For Paul Thomas Anderson, moviemaking is not just an art; it's also about time management.
"At its best, a film set is when everybody knows what's going on and everybody's working together," he tells Fresh Air's Terry Gross. "At its worst, [it's] when something's been lost in communication and an actor's not sure how many shots are left or what's going on, and the makeup department's confused."