"Contact with nature is not some magical elixir but the natural world is the substrate on which we must build our existence," writes Stephen Kellert in his new book Birthright: People and Nature in the Modern World.
In it, he tells stories of the environment's effect on us, and ours on it. His writing builds on the traditions of Thoreau, John Muir and Rachel Carson. Modern society, he argues, has become adversarial in its relationship to nature, having greatly undervalued the natural world beyond its narrow utility.
A recently-published menu for Abraham Lincoln's lavish second inaugural ball in 1865 provides an interesting look at how different the nation celebrated its new president just seven score and eight years ago.
Smoked tongue en geleé and blancmange (a firm custard) shared room on the buffet table with roast turkey and burnt almond ice cream.
As Yale food historian Paul Freedman told Smithsonian Magazine writer Megan Gambino, the cuisine could best be described as "French via England, with some American ingredients."
Sean Lennon, son of John and Yoko, is drawn to musical collaboration and repelled by hydraulic fracturing.
The 37-year-old just released two albums: the improvisational project Mystical Weapons and the score to the independent film Alter Egos.
Writing For Film
Lennon only appears in Alter Egos for a few seconds; the majority of his efforts went into writing the music, which he had to do twice. He describes the film as a "kitsch comedy about superheroes," and his first attempt at the music took a similar vibe.
Originally published on Sat January 19, 2013 8:17 pm
Once upon a time, in the long ago world of high school reading, Holden Caulfield was perhaps the epitome of angst: a young man suddenly an outcast in the world he thought he knew. The antihero of J.D. Salinger's The Catcher in the Rye was about to enter a perilous journey of self-discovery.