The Campus Sexual Violence Elimination (SaVE) Act takes effect today. It holds institutions of higher education responsible for the prevention of sexual violence, not just responding to it after assaults occur.
It also establishes standard procedures for disciplining those found guilty, and requires greater transparency on sexual violence policy and procedures, not just about rape but also domestic violence, dating violence and stalking.
The art show everyone loves to hate opens today in New York City. Every two years, the Whitney Museum of American Art hosts a show that's billed as an overview of art in America. The Whitney Biennial inevitably gets trashed by art critics, museum visitors and artists alike. As Karen Michel reports, this is the last biennial before the museum moves to a new building.
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The Philadelphia '76ers have lost their last 15 games and no one would be surprised if they didn't win again this season. But the big question now is whether all that losing is intentional and whether the league needs to do something about it. Sportswriter Stefan Fatsis joins us now. Hey there, Stefan.
Filmmaker Wes Anderson makes movies that are eccentric, pointedly artificial and, to his fans, very funny. From his early comedies "Rushmore" and "The Royal Tannenbaums," to last year's Oscar-nominated "Moonrise Kingdom," Anderson's movies have looked and sounded different from everyone else's in Hollywood. And critic Bob Mondello says that streak continues with his spoof of extravagant 1930s melodramas. It's called "The Grand Budapest Hotel."
This is FRESH AIR. Because he was a doctor, Sherwin Nuland witnessed many deaths, including those in his own family. Dr. Nuland - who was a surgeon - was the author of "How We Die," an influential book about dying, which won a National Book Award. It was published in 1994. Twenty years after his book was published, Dr. Nuland himself died on Monday at his home in Connecticut from prostate cancer. He was 83.
Wes Anderson has his share of groupies and his somewhat smaller share of skeptics who find him a tad precious. As someone who leans toward the precious view, but is open to his grace notes, I found The Grand Budapest Hotel mostly delightful.
It's a madcap comedy, but with hints of tragedy lurking outside the usual Anderson dollhouse frames. The central character is Gustave H., played by Ralph Fiennes. He's the concierge of a kitschy, opulent, high-class European hotel between World Wars I and II.