What do you get a Nobel Prize-winning poet for his birthday?
The poet, in this case, is T.S. Eliot, and this year he would have turned the intimidating age of 125. It's a tough question, but New Yorker poetry editor Paul Muldoon has got an answer: a new re-issue of the first edition of Eliot's groundbreaking poem, The Waste Land.
Vanessa Pierson, the heroine of Valerie Plame's first novel, is — ahem — "blonde, lithe, and nicely sexy." She is also a CIA agent, determined to lasso a nuclear arms dealer named Bhoot before he arrives at an underground nuclear facility in Iran.
But just as her informant is about to tell her where Bhoot will be, he's shot by a sniper who misses Vanessa — or does he simply overlook her? How will Vanessa Pierson halt the terrorists, protect the world and, by the way, also keep the secret of her forbidden romance with David, a fellow CIA ops officer with green-flecked hazel eyes?
Gabe Baltazar (fourth from left) at New York City's Birdland Club in 1962, with members of Stan Kenton's band and the Count Basie Orchestra. The photo, from Baltazar's collection, is signed by Kenton (fourth from from right) and trumpeter Harry "Sweets" Edison (second from right).
Credit Courtesy of Gabe Baltazar
The Paul Togawa Quartet at the El Sereno Club in Los Angeles in the late 1950s. Left to right: Gabe Baltazar, Paul Togawa, Dick Johnston, Buddy Woodson.
Saxophonist Gabe Baltazar got his big break after Stan Kenton heard him playing in a college band and invited him to join his Orchestra in 1960.
"One of my biggest highlights in Stan's band was being featured on a beautiful standard tune called 'Stairway to the Stars,'" the 83-year-old Baltazar says. "He liked that tune, and he thought it would be my signature song. And throughout my career, four years with the band, I was featured on that and it was just great."
If you're a regular public radio listener, you may hear Garrison Keillor every morning reading other people's poems on The Writer's Almanac. Now, the Prairie Home Companion host has decided to share some of his ownpoems for a change.
Top White House aides constantly refer to a "civil war" in the Republican Party.
They sometimes use the phrase with near delight, reveling in the tensions that threaten to pull apart the GOP. But for President Obama, the divided opposition creates a major problem: He has neither a partner to cut a deal with nor a high-profile adversary to vilify.
That situation stands in stark contrast to previous fiscal standoffs.