NPR News

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FLORA LICHTMAN, HOST:

Next up, a case of life imitating art. A few months ago, we talked to writer Barbara Kingsolver about her latest book, "Flight Behavior." The book is a fictional account of an ecological disaster in the making, and the fate of millions of monarch butterflies is at the center of the plot. Would the species survive? That's the art part.

It was 1975 when Emmylou Harris had to figure out how to make a solo album after her classic work as Gram Parsons' duet partner. Her record company told her to "get a hot band." So she got The Hot Band with James Burton on lead, as well as a newcomer, Rodney Crowell, on rhythm guitar and, more importantly, songwriting.

The voiceovers from Terrence Malick's To the Wonder, which has a lot of them, are intoned on the soundtrack while the characters stare into sunrises or sunsets — whenever the light is right, what cinematographers call, "the magic hour." This film and Malick's last, The Tree of Life, suggest that he's evolved into a blend of director and Christian minister: These are psalms writ on film.

Honky-tonk veteran Dale Watson has an impressive white pompadour and arms that tell his story: flag tattoos of Alabama, where he was born, and Texas, where he lives. Musical notes circle his biceps. And he has an inked portrait of his first musical inspiration — his late father, a truck driver and sometime country singer who passed on to Dale his love of traditional country, from Hank Williams to Lefty Frizzell.