Mohsin Hamid's latest novel is called How to Get Filthy Rich in Rising Asia.
Jonathan Lethem's latest novel, Dissident Gardens, is expansive in scale. Chronologically speaking, it begins in the 1930s with Communist Party meetings in the U.S. It passes through the rise of McCarthyism, the establishment of the New York Mets, the hippie Age of Aquarius and the AIDS crisis. It ventures briefly abroad, to such places as behind-the-Iron-Curtain East Germany and war-torn Nicaragua. It ends in the Obama era of Occupy sit-ins and a rampant TSA.
Evidently it was quite fortuitous. Just a couple of days after MTV's Video Music Awards, Oxford Dictionaries Online released its quarterly list of the new words it was adding. To the delight of the media, there was "twerk" at the top, which gave them still another occasion to link a story to Miley Cyrus' energetic high jinks.
Women's tennis champion Billie Jean King is best remembered for her 1973 exhibition match, known as "The Battle of the Sexes," with self-proclaimed male chauvinist Bobby Riggs. But King also had a remarkable career, both as a tennis player and as a trailblazer for women: She won a record 20 Wimbledon titles, six of them for singles, and she led an uprising of underpaid female players to demand fairer treatment and compensation in professional tennis.
Originally published on Thu September 26, 2013 1:28 pm
Almost 20 years ago, the members of the Greyboy Allstars got together to play a record release party for DJ Greyboy and discovered a perfect fusion. Call it rare groove, acid jazz or Electric Boogaloo (as they named their 1995 debut album), guitarist Elgin Park, keyboardist Robert Walter, saxophonist Karl Denson and the rhythm section of Chris Stillwell and Aaron Redfield have a special sound. These Allstars still draw from '60s boogaloo on their new album, Inland Emperor.