Egypt's President, Mohammed Morsi, was sworn into office one year ago this Sunday. Opposition groups plan major protests to mark the anniversary. Egyptians face rising food prices, fuel shortages and power outages in blistering summer heat.
And Merritt Kennedy reports from Cairo, demonstrators are calling for early elections and vowing to stay on the streets until Morsi quits.
Judy Cantor-Navas, managing editor of Billboard En Español, joins Latin Roots to discuss the mysterious world of flamenco music. It's hard to pinpoint exactly where the style originated; though known for its close ties to Spain, it's suggested that the roots of flamenco actually begin in India. Whatever its origins may be, however, it's a style dominated by strong performers.
When the novelist Chimamanda Ngozi Adichie was growing up in Nigeria she was not used to being identified by the color of her skin. That changed when she arrived in the United States for college. As a black African in America, Adichie was suddenly confronted with what it meant to be a person of color in the United States. Race as an idea became something that she had to navigate and learn.
Saoirse Ronan plays Eleanor, an ancient (and uncharacteristically ethical) vampire in Neil Jordan's Byzantium.
Credit Sony Pictures Classics
I'm So Excited, a candy-colored comedy from Spanish director Pedro Almodovar (at right), finds an eclectic assortment of highly strung passengers coping with an airborne emergency en route to Mexico City.
The decade of the 1980s — when major corporations made their presence more felt in Hollywood — was for all kinds of reasons a low point in American moviegoing. But two beacons abroad, Pedro Almodovar and Neil Jordan, reminded us with movies like Law of Desire, Women on the Verge of a Nervous Breakdown and Mona Lisa how films could be personal and still reach a large (or large-ish) audience.
Thirty years later, we have Almodovar's I'm So Excited and Jordan's Byzantium — and these directors are still shining a light.