Animated as ever when it comes to the topic of film, director Martin Scorsese delivers the 2013 Jefferson Lecture in the Humanities at the Kennedy Center on April 1.
Credit Studiocanal Films Ltd.
The Magic Box (1951) made a lasting impression on Martin Scorsese when he first saw it in 1952. He says this is the film that made him think he could be a filmmaker. "The thing about that film was not just the moving image, but it was the obsession and the passion of the people at that time."
Credit Eadweard Muybridge / Public Domain
In 1878, landscape photographer Eadweard Muybridge set up a series of still cameras side by side at a racetrack, rigging them to be triggered by threads stretched across the course as the horse passed. Considered an intermediate stage in cinematography, Muybridge's photographic experiment captured the kinetic movement of a horse at full gallop.
Credit Public Domain
D.W. Griffith's The Musketeers of Pig Alley (1912) is thought to be the first gangster film.
Credit Public Domain
Edwin S. Porter'sThe Great Train Robbery (1903) is a 12-minute film that employs one of the first known uses of the cinematic "cut."
Martin Scorsese is a legend of a director — and he's also a great film teacher, a man who balances a passion for the medium with a deep knowledge of its history. Delivering this year's installment of the National Endowment for the Humanities' prestigious Jefferson Lecture — a talk he titled "Persistence of Vision: Reading the Language of Cinema" — Scorsese demonstrated his speaking chops as well.
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STEPHEN ANTHONY: For Amanda's family, for Gina's family, for Michelle's family, prayers have finally been answered. The nightmare is over.