David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
11:38 am
Fri October 12, 2012

'Argo': Too Good To Be True, Because It Isn't

CIA agents Tony Mendez (Ben Affleck) and Jack O'Donnell (Bryan Cranston) plan a risky mission to save six Americans trapped in Iran.
Claire Folger Warner Bros. Pictures

Originally published on Fri October 12, 2012 12:01 pm

Ben Affleck's Argo is two-two-TWO movies in one, and while neither is especially original, by merging them Affleck pulls off a coup. First, he gives you espionage with the You Are There zing of a documentary. Then he serves up broad showbiz satire. For his final feat, he blends the two into a pulse-pounding nail-biter of a climax. And this all really happened. Most of it. Except for that climax.

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Movie Reviews
1:10 pm
Fri October 5, 2012

At College, A 'Pitch Perfect' Musical Comedy

Originally published on Tue October 16, 2012 4:23 pm

Transcript

DAVE DAVIES, HOST:

Actress Anna Kendrick was nominated for an Academy Award for her supporting role in "Up in the Air." Now she stars in the film musical, "Pitch Perfect," in which she plays a college freshman who reluctantly joins the school's illustrious all-female a cappella group. Director Jason Moore is best known for his work on the satirical Broadway musical, "Avenue Q." Film critic David Edelstein has this review of "Pitch Perfect."

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Movie Reviews
3:12 pm
Thu September 27, 2012

'Looper': Time-Travel Nonsense, Winningly Played

Old Joe (Bruce Willis) and his younger self (Joseph Gordon-Levitt), two iterations of the same assassin, play a particularly personal game of cat and mouse in the time-travel thriller Looper.
Alan Markfield Sony Pictures

I adore time-travel pictures like Looper no matter how idiotic, especially when they feature a Love That Transcends Time. I love Somewhere in Time with Christopher Reeve and Jane Seymour, The Time Traveler's Wife, even The Lake House with Keanu Reeves and Sandra Bullock in different years sending letters through a magic mailbox. So terrible. So good. See, everyone wants to correct mistakes in hindsight, and it's the one thing we cannot do. Except vicariously, in movies.

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