Elizabeth Blair

Elizabeth Blair is a Peabody Award winning, Senior Producer/Reporter on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

Transcript

ROBERT SIEGEL, HOST:

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

ROBERT SIEGEL, HOST:

The new "Star Wars" hasn't opened yet, but it's already being called the biggest movie the of the year.

(SOUNDBITE OF JOHN WILLIAMS SONG, "OVERTURE")

It's a heart-stopping scene: The protagonist of The Good Dinosaur, an 11-year-old Apatosaurus named Arlo is chasing a little thief who's been stealing his family's food. Arlo's not looking where he's going, and he slips and falls into a river. Panic-stricken, he gasps for air as his body goes hurtling down the raging rapids. The splashes, the currents, the rocks, the sound, the details are so vivid — you feel real fear for this animated dinosaur.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

ROBERT SIEGEL, HOST:

Twenty-five years ago, a new Halloween tradition was launched.

(SOUNDBITE OF TV SHOW, "THE SIMPSONS")

NANCY CARTWRIGHT: (As Bart Simpson) Here's a story that's really scarifying.

In the comedy world, it's a commonly held belief that there's a dark side to being funny — and Kelly Carlin is living proof. The daughter of the late comic genius George Carlin has just written a memoir about her childhood. It's called A Carlin Home Companion, but it's nothing like what you'd find on Lake Wobegon.

In her book, Kelly writes that her parents, George and Brenda, could never be accused of hovering over their only child. In fact, in a 1999 HBO special George ranted about overprotective parenting:

An anxious, awkward teenager, social media, suicide. These are the themes at play in a new musical at the Arena Stage in Washington, D.C. The production has garnered praise from both the New York Times ("sweet, sad and quite moving") and the Washington Post (which said it "radiates charm and wit)." They're not the only ones buzzing about it — this play about human behavior in the digital age will head to New York's Second Stage Theater next spring.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

KELLY MCEVERS, HOST:

What makes a great teacher great? That's the question at the heart of 50 Great Teachers, from the NPR Ed Team.

Diana Agrest believes architecture is so much more than a marriage of form and function. For more than four decades, she's been trying to get her students to believe that too.

Something rare is happening in the world of ballet: At the Kennedy Center in Washington, D.C., two African-American dancers will be the leads in The Washington Ballet's production of Swan Lake. Misty Copeland, soloist with American Ballet Theatre, will dance the dual role of Odette and Odile, while Brooklyn Mack of The Washington Ballet will dance Prince Siegfried.

"Slow and steady wins the race."

"What's right for one may be wrong for another."

"Treat others the way you'd like to be treated."

Morals have long been the conclusion of fables and fairy tales aimed at kids. And today's TV shows and movies are no different — they often weave lessons for the younger generation into their narratives. But do children actually absorb these messages, or do these endings just help parents feel better about the media their kids consume?

Sometimes museums get in trouble. Deep trouble. Not because they damage art, or let it get stolen ... but because they sell it. The Delaware Art Museum is the latest target of the art world's ire — for selling one painting from its collection to try and tackle a debt, and for revelations in the past few days that two more paintings are up for sale.

"Chug, chug, chug. Puff, puff, puff. Ding-dong, ding-dong."

The beloved tale of the little blue engine — who helps bring a broken-down train of toys to the good little boys and girls on the other side of the mountain — has been chugging along for a very long time. But despite the locomotive's optimistic refrain — I think I can, I think I can, I think I can — the story has a somewhat checkered past: In its tracks, The Little Engine has left both a legal battle and a debate over whether the little blue engine is male or female.

The CBS legal drama The Good Wife centers on smart, attractive Chicago lawyer Alicia Florrick. She's "the good wife" because she stood by her politician husband when he cheated on her.

But the show's most compelling story line has always been between Alicia and another lawyer, Will Gardner. And if you don't want to know what happened in that storyline last night, stop reading NOW.

No, Really: Major Spoiler Ahead

Transcript

SCOTT SIMON, HOST:

The Lego Movie opened last night in theaters across the country. It's latest example of the magic of animation, filmmakers who bring plastic to life, make animals talk and send toys singing and dancing across a big screen. But animators also love to hurl our most beloved characters over cliffs. They blow them up with dynamite, flatten them with speeding trains. Seconds later, they pop back up and dust themselves off.

Actor Philip Seymour Hoffman was found dead on Sunday in his Manhattan apartment. He was 46.

Hoffman was steeped in his profession — in film, on stage, in the spotlight and behind the scenes.

In 2005, he won the Oscar for best actor for his portrayal of Truman Capote. The movie focuses on Capote's interviews with two murderers on death row for his nonfiction novel In Cold Blood.

Super Bowl suspense is building — for the game and the commercials. With an audience of over 100 million people, advertisers covet this space, but at a reported $4 million a spot, only the mightiest corporations can afford Super Bowl exposure. This year, though, there's an exception. One lucky little business will get one of those primo slots — free.

Federal bureaucracies aren't the only ones scaling back operations during the government shutdown. It's also meant that kids couldn't take field trips to the Smithsonian.

In fact most of the popular Washington attractions funded by the government are closed. That includes the Smithsonian's 19 museums and the National Zoo, plus Ford's Theatre and the National Gallery of Art.

Transcript

DAVID GREENE, HOST:

I don't know about you, but I'm a little troubled when I hear about people who watch multiple screens. You know what I'm talking about. Maybe you're watching a movie at home while live tweeting, or while keeping track at a ballgame. At least movie theaters are a sacred space, immune to these changes.

One of the surprise movie hits this past weekend was almost entirely in Spanish. Instructions Not Included made an enormous amount of money per screen, more than $22,000, playing in fewer than 350 theaters. The boys in One Direction had the number one film, but they pulled in less than $6000 per screen. That's a huge victory for star Eugenio Derbez, a household name in Mexico, and for Pantelion films, which has been trying to find a Spanish-language hit in the U.S. film market for a few years now.

Hari Kondabolu is a brainy comedian who cuts through the polite talk around race and gender. He's made a lot of key people laugh with his incisive anecdotes, including Jimmy Kimmel, Conan O'Brien and John Oliver.

A full-time writer on the FX show Totally Biased with W. Kamau Bell, he recently did a comedy bit on the National Spelling Bee, or "as I like to call it," he joked, "the Indian Super Bowl."

Pages