Jeremy D. Goodwin | St. Louis Public Radio

Jeremy D. Goodwin

Arts & Culture Reporter

 

 

Jeremy D. Goodwin joined St. Louis Public Radio in spring of 2018 as a reporter covering arts & culture and co-host of the Cut & Paste podcast. He came to us from Boston and the Berkshires of western Massachusetts, where he covered the same beat as a full-time freelancer, contributing to The Boston Globe, WBUR 90.9 FM, The New York Times and NPR, plus lots of places that you probably haven’t heard of.

 

He’s also worked in publicity for the theater troupe Shakespeare & Company and Berkshire Museum. For a decade he joined some fellow Phish fans on the board of The Mockingbird Foundation, a charity that has raised over $1.5 million for music education causes and collectively written three books about the band. He’s also written an as-yet-unpublished novel about the physical power of language, haunted open mic nights with his experimental poetry and written and performed a comedic one-man-show that’s essentially a historical lecture about an event that never happened. He makes it a habit to take a major road trip of National Parks every couple of years.

 

Ways to Connect

After-school meals will be available at six library branches, paired with activities like weekly chess instruction.  8/12
Kara Smith | St. Louis County Library

An after-school meal program in St. Louis county that feeds hungry children in public libraries is expanding.

St. Louis County Library and the nonprofit group Operation Food Search began the effort as a summer program in 2014. They expanded it in January 2018, serving 6,200 meals at three library branches between then and May.

Jacob Shacko, who performs as Lilschacko, performs an original song in the St. Louis Public Radio studios. 8/9/18
Jeremy D. Goodwin | St. Louis Public Radio

A teenager from Democratic Republic of the Congo  finds himself on the other side of the world, starting a new life in St. Louis. A young Bosnian woman whose family fled their country when she was little more than a toddler now finds herself looking for ways to connect to her past.

Their stories, while shaped by the particulars of war and of history, are like single voices in a larger chorus: refugees who re-settled in the United States and now use music as a way to understand the past and make their way forward.

Producers of "Forget Me Not" are hoping to inspire audience members to  connect with local health professionals and learn more about Alzheimer's. 8/1/18
African-Americans Against Alzheimer's

When actors in the play "Forget Me Not" take the stage tonight at the Grandel Theatre in St. Louis, they’ll have an important mission. They aim to raise awareness that African-Americans have a higher incidence of Alzheimer’s disease than whites, and to provide tips about how to recognize the symptoms of the brain disease.

Playwright Garrett Davis, who heads the North Carolina-based theater troupe Gdavis Productions, wrote the play — produced by African-Americans Against Alzheimer’s — as an educational aid. The group is part of the national advocacy organization Us Against Alzheimer’s.

Shayba Muhammad crafted a 12-week course to help artists and artisans start or grow a small business. 7/26/18
Jeremy D. Goodwin | St. Louis Public Radio

A few years ago Shayba Muhammad started making jewelry for herself, and was inspired to start a business, Mahnal, to sell her work.

Now she wants to help other artists and artisans who would like to do the same. The Makers Program, which she started with help from a $10,000 prize from Arts and Education Council, will offer guidance to help participants navigate the business end of their craft.

Students training with UMSL's jazz ensemble will get an enhanced travel budget, in addition to other improvements to the program. 7/24/18
University of Missouri St. Louis

Students at the University of Missouri-St. Louis will soon have access to a beefed-up jazz studies program due to a $1.3 million donation by the Steward Family Foundation.

Though the school currently has student ensembles and offers instrument instruction and related courses — including one on jazz improvisation — students will now be able to earn a degree in jazz studies from UMSL’s newly christened David and Thelma Steward Institute For Jazz Studies.

Kevin and Danielle McCoy, seen here with their daughter, Elle, posed an artistic response to their own experiences with colorism. 7/20/18
Jeremy D. Goodwin | St. Louis Public Radio

Married couple Danielle and Kevin McCoy are used to being treated differently based on the color of their skin — not only because they are each African-American, but because her skin tone is lighter than his.

“Dani being fairer-skinned, wavier-textured hair,” Kevin McCoy said, “and me darker, more coarse, as we say nappier hair — I was not the ‘safe’ black person.”

He said people they encounter, both “in the black community and outside of the black community,” appear comfortable with Danielle but view him as “aggresive.”

This led them to create the work in “Color-ism,” an exhibition that opens at the Gallery at the Kranzberg Arts Center on Friday and remains on view through Sept. 3. Put simply, colorism is the preference for lighter-colored skin, even within communities of color.

The lobby of the Stifel Theatre, shown in June 2011.
File photo | Provided | Tom Paule Photography

The Peabody Opera House has a new name.

For the next decade, the downtown St. Louis venue will be called Stifel Theatre.

Stifel Financial Corp. signed a 10-year agreement for naming rights at the 3,100-seat venue, which opened in 1934 as the Kiel Opera House.

Felicia Shaw, new executive director of St. Louis' Regional Arts Commission, said she had a sense that this community would now "be open to change" after the events of Ferguson.
Nancy Fowler

The Regional Arts Commission will award $3.8 million in grants to 125 arts organizations in St. Louis, the organization announced Wednesday.

But a shift in the commission’s priorities means many established groups are now shut out. The commission, which receives a portion of the city’s occupancy tax on visitors to hotels and motels, will not fund 40 arts organizations that received RAC grants in 2017.

Tonina Saputo is a St. Louis-based vocalist, songwriter and bassist.
Tyler Small

Tonina Saputo speaks several languages — both musically and otherwise. She’s not very far past the beginning of her career, but the diversity of her musical interests can already be heard in projects ranging from alternative R&B to Latin jazz.

The St. Louis-based vocalist, songwriter and bassist, who performs under her first name, has a global vision. “I really want to bridge the gap between American music — I put that in air quotes, because what is American music? — and world music. And what is world music?” she said. 

The Muny box office sells tickets for its 100th season, which has drawn criticism for its production of "Jerome Robbins' Broadway." June 30, 2018
Brian Heffernan | St. Louis Public Radio

The boos launched by a group of protesters mid-show at the Muny two weeks ago are continuing to reverberate. Actors and directors of color in St. Louis say it’s time for theaters to stop casting white actors to portray people of color.

Among the things on Owen Ragland's calendar are a monthly residency at the Dark Room and a slot at this year's LouFest.  6/28/18
Carl Wickman

Owen Ragland is a musician on the move. In the last year, the 17-year-old pianist, producer and bandleader has played the LouFest in support of local artist Mvstermind, released a debut album plus follow-up EP and launched a monthly residency at the Dark Room

Some of the next items on his agenda include a performance with his quintet at this year’s LouFest and graduating from Webster Groves High School.

He spoke with Cut & Paste about his path to music, which he started at age 3 — and his efforts to fuse elements of jazz, hip-hop and electronic music into a style all his own.

Gallery-goers mill about near the piece "Blake the Great."  6/20/18
Brea McAnally

St. Louis-based artist Damon Davis works in many forms, from visual art to hip hop records. His profile has grown steadily in recent years. He's now showing a deeply conceptual, richly realized exhibition at the Luminary, on Cherokee Street, that he calls the culmination of his years of art-making collaborations.

The show, called "Darker Gods in the Garden of the Low-Hanging Heavens," is built around a series of myths and fables Davis wrote, featuring black deities.

A group of visiting theater artists decry the first show of the season at the Muny. 6/16/18
via Facebook

Updated on June 18 at 1:50 p.m. to include the Muny's written response — A group of theater artists visiting St. Louis for a professional conference staged a demonstration during the performance at the Muny on Friday night, objecting to what they described as offensive elements in “Jerome Robbins’ Broadway,” a revue of scenes from famous American musicals.

The group, which numbered about 15, booed in unison during an excerpt from the musical “The King and I.” Muny employees quickly led the protesters away and and ejected them from the venue.

Demonstrators objected to the portrayal of a character from Burma (now called Myanmar) by a white actress. They also decried other parts of the show as displaying inappropriate cultural appropriation.

The Muny is looking to extend its lease to 2071, and free up some funds earmarked for parking lot upkeep. A city fund for that purpose has a surplus of approximately $180,000.
Nancy Fowler | St. Louis Public Radio

The Muny is one step closer to extending its stay in Forest Park. The Board of Alderman’s Parks Committee voted 4-0 Thursday to extend the outdoor theater’s lease to 2071 and make other changes. The full board is expected to give final approval before its summer recess in mid-July.

The Muny’s lease with the city had been set to expire in 2031. The early extension will help the organization secure donors for its $100 million capital campaign,  Dennis Reagan, Muny president and CEO, told board members.

Shakespeare Festival St. Louis' most recent Shakespeare in the Streets production, Blow, Winds, will be on stage this weekend at the Central branch of the St. Louis Public Library.
Shakespeare Festival St. Louis

Shakespeare Festival St. Louis is one of the most prominent theater companies in town, yet it doesn’t own a stage.

The organization shares its various stages — Shakespeare Glen in Forest Park, local schools and even city streets — with the public. With programs like Shakespeare in the Streets, which tells a community’s story, that sharing comes with great responsibility.

The Muny is looking to extend its lease to 2071, and free up some funds earmarked for parking lot upkeep. A city fund for that purpose has a surplus of approximately $180,000. 6/14/18
The Muny

Directly behind the stage at the Muny on a recent morning, workers were hammering, sawing and welding together sets that will appear onstage this season, in some of the theater’s seven productions.

“As we’re performing one show at night we’re actually building two to three other shows during the day,” said Sean Smith, the operations director for the outdoor theater. “We’re finishing up sets for the opening on Monday but then we’re also looking at the next few shows, building for ‘The Wiz,’ which is coming up next.”

As it begins its 100th season this week, the Municipal Theater Association of St. Louis has one eye on the past. But it has another on the future, in the form of series of planned renovations due to be completed after this summer season and before the 2019 campaign.

British songwriter Benjamin Clementine says he changed his nomadic ways after a visit to the United States inspired his latest album.  6/7/18
Craig McDean

Songwriter Benjamin Clementine calls himself a nomad, and with good reason. Born in London to Ghanaian parents, he left home as a teenager to live and play music on the streets of Paris.

His low profile changed dramatically when his debut album, “At Least for Now,” earned him an international following and won the Mercury Prize in 2015 for best album of the year by a British artist. He has since moved to the United States, where his travels inspired his latest album, “I Tell a Fly,” released last year. He’s on a U.S. tour to promote his new recording, and opens for David Byrne at Peabody Opera House on Friday.

Andrew Stenson as Private Danny Chen, in the new opera "An American Soldier."  6/1/18
Ken Howard | Opera Theatre of St. Louis

U.S. Army Private Danny Chen died at his guard post in Afghanistan in 2011 — not in combat, but from a self-inflicted gunshot wound after enduring racially motivated hazing by his fellow soldiers.

A new opera opening at Opera Theatre of St. Louis on Sunday looks at Chen’s life and death. The creators of “An American Soldier” say it asks basic questions about the nature of identity and belonging in this country.

 This image is from Sarah Paulsen's film White by Law which is part of her The Invention of Whiteness exhibition at the Contemporary Art Museum.
Sarah Paulsen

For most of her life, St. Louis artist Sarah Paulsen was oblivious to what it means to be white, and the privilege it confers.

Then in 2008, Charles Lee “Cookie” Thornton shot and killed six people at Kirkwood City Hall.  Thornton was a black man; his victims were white. The tragedy threw a spotlight on the racial, class and wealth divide that had long existed in the St. Louis suburb. It also prompted Paulsen to begin exploring the social construct of race in America and how being white means never having to think about it.