Lourdes Garcia-Navarro

Lourdes Garcia-Navarro is an NPR international correspondent covering South America for NPR. She is based in Sao Paulo, Brazil.

Previously, she served a NPR's correspondent based in Israel, reporting on stories happening throughout the Middle East. She was one of the first reporters to enter Libya after the 2011 Arab Spring uprising began and spent months painting a deep and vivid portrait of a country at war. Often at great personal risk, Garcia-Navarro captured history in the making with stunning insight, courage and humanity.

For her work covering the Arab Spring, Garcia-Navarro was awarded a 2011 George Foster Peabody Award, a Lowell Thomas Award from the Overseas Press Club, and an Edward R. Murrow Award from the Corporation for Public Broadcasting and the Alliance for Women and the Media's Gracie Award for Outstanding Individual Achievement.

Before her assignment to Jerusalem began in 2009, Garcia-Navarro served for more than a year as NPR News' Baghdad Bureau Chief and before that three years as NPR's foreign correspondent in Mexico City, reporting from that region as well as on special assignments abroad.

Garcia-Navarro got her start in journalism as a freelancer with the BBC World Service and Voice of America, reporting from Cuba, Syria, Panama and Europe. She later became a producer for Associated Press Television News before transitioning to AP Radio. While there, Garcia-Navarro covered post-Sept. 11 events in Afghanistan and developments in Jerusalem. In 2002, she began a two-year reporting stint based in Iraq.

In addition to the Murrow award, Garcia-Navarro was honored with the 2006 Daniel Schorr Journalism Prize for a two-part series "Migrants' Job Search Empties Mexican Community." She contributed to NPR News reporting on Iraq, which was recognized with a 2005 Peabody Award and a 2007 Alfred I. duPont-Columbia University Silver Baton.

Garcia-Navarro holds a Bachelor of Science degree in International Relations from Georgetown University and an Master of Arts degree in journalism from City University in London. Lourdes is married to Times of London journalist James Hider. They have a daughter and they sometimes travel together for work and always for play.

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We're also tracking impeachment proceedings against the president of Latin America's biggest country. NPR's Lourdes Garcia-Navarro reports on Dilma Rousseff's fight for her political life.

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An enslaved woman is sitting with her white charge in her lap. She is well dressed in a pristine white headdress and an off-the-shoulder blouse, wearing bracelets and rings and necklaces. She stares straight at the camera, somberly.

The image was probably commissioned by the family as a memento, according to experts. It creates the illusion that nannies in the slavery period were held in affection and even esteem. But the reality was very different, says Maria Elena Machado, one of the foremost experts on slavery in Brazil.

If you want to get a sense of how complex racial identity is in Brazil, you should meet sisters Francine and Fernanda Gravina. Both have the same mother and father. Francine, 28, is blond with green eyes and white skin. She wouldn't look out of place in Iceland. But Fernanda, 23, has milk chocolate skin with coffee colored eyes and hair. Francine describes herself as white, whereas Fernanda says she's morena, or brown-skinned.

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Brazil hosted the World Cup last year. Next year, it will host the Summer Olympics. On Sunday, though, the country played host to another international gathering of talented competitors: the Rubik's Cube World Championship.

This past weekend, hundreds of "speedcubers," as they're known, descended on Sao Paulo from over 40 countries, to take part in three days of intensive competition.

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There is a joke among Brazilians that a Brazilian passport is the most coveted on the black market because no matter what your background — Asian, African or European — you can fit in here. But the reality is very different.

I'm sitting in café with two women who don't want their names used because of the sensitivity of the topic. One is from the Caribbean; her husband is an expat executive.

"I was expecting to be the average-looking Brazilian; Brazil as you see on the media is not what I experienced when I arrived," she tells me.

It has been almost a year since the World Cup in Brazil. The party is long over, but the country is still dealing with the hangover — in the form of "white elephant" stadiums and unfinished infrastructure projects. They come at a time when the country faces economic woes and the prospect of another expensive mega event: next year's summer Olympics.

The most expensive World Cup stadium — located in the capital, Brasilia, and with a price tag of $550 million — is being used as a parking lot for buses.

This week, President Dilma Rousseff descended the famous ramp designed by Oscar Neiymeyer in the presidential palace of Planalto to a crowd of women chanting her name.

The carefully choreographed ceremony was intended to show Rousseff — who was signing into law a ban on femicide — as a leader who has broad support.

But the night before the scene was a very different one. While she was addressing the country on TV, people grabbed their pots and pans and banged on them in protest.

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Shortly before Argentine prosecutor Alberto Nisman was found dead with a bullet in his head, he accused Argentina's president, Cristina Fernandez, and others in her government of covering up what he said was Iran's involvement in the 1994 bombing of a Jewish community center.

Nisman claimed that those involved in the cover-up included Foreign Minister Hector Timerman — a particularly sensitive accusation not only because of his position but because of his background.

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With January first marking the start of many people's self-improvement projects, Lourdes Garcia Navarro shares a story she reported earlier this year about plastic surgery in Brazil.

This story first aired on All Things Considered on Oct. 7, 2014.

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It's been over a month since the World Cup ended in Brazil, but the shame of the country's blowout loss remains. Once, Brazilians were welcomed in other countries with talk of Brazil's soccer dominance; now, everyone merely speaks of their historic defeat against Germany.

The story of Lenira de Oliveira and her dead lover's letter is a tale of Brazil. It's a story of love, jealousy, forgiveness, life after death and the criminal court system. And it's true — though it sounds like fiction.

It sounds, in particular, like the work of the late Gabriel Garcia-Marquez.

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