Mary Edwards | St. Louis Public Radio

Mary Edwards

Executive Talk Show Producer, St. Louis Symphony Producer

Mary Edwards came to St. Louis Public Radio in 1974, just after finishing her Bachelor of Music degree at the University of Missouri-St. Louis.  She has served the station in a number of capacities over the years, and is currently Executive Producer of  St. Louis Public Radio’s local talk/call-in show, “St. Louis on the Air," and producer of the live Saturday night broadcasts of the St. Louis Symphony. From 1988-2014 she also taught an undergraduate class in radio production at Webster University. Mary was inducted into the St. Louis Media History Foundation Media Hall of Fame in April, 2017 and received the Gateway Media Literacy Partners' Charles Klotzer Media Literacy Award in 2012.

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Young pianist Conrad Tao was scheduled to make his St. Louis Symphony debut in concerts April 25-27, 2014 led by Conductor Laureate Leonard Slatkin. But when illness forced Markus Groh to cancel his appearances on February 1 and 2, 2013, Tao stepped in as soloist in Prokofiev’s Piano Concerto No. 3 on less than 3 days’ notice and wowed audiences.

Erin Williams / St. Louis Public Radio

Jefferson Cowie is a professor in Cornell University’s School of Labor and Industrial Relations teaching courses in labor relations, law and history.  His most recent book, Stayin’ Alive: The 1970s and the Last Days of the Working Class served as inspiration for Rebecca Gilman’s play, “Soups, Stews and Casseroles: 1976” which is now playing at the Repertory Theatre of St. Louis.  While Cowie was in St.

Courtesy St. Louis Symphony

When Shannon Wood assumed the role of Principal Timpanist of the St. Louis Symphony last September, he had big shoes to fill.  His predecessor Richard Holmes had been in the position for 41 years before his death in 2011.  Wood never met his predecessor but was well aware of his reputation and was humbled to accept the position.

Private Collection / courtesy Kodner Gallery

To celebrate the 250th anniversary of St. Louis, the Sheldon Art Galleries has organized a major exhibition depicting the founding of the city and the people involved. Imagining the Founding of St. Louis includes paintings, drawings, prints and sculpture by a variety of noted artists.

Sheldon Art Galleries Director and co-curator of the exhibit Olivia Lahs-Gonzales commented, “Obviously this all happened before the advent of photography so there was no photographer on the boat with the explorers, so it’s really left up to artists to kind of imagine what it was like.”

Dan Dreyfus

The St. Louis Symphony announced plans for its 2014-15 season at a town hall meeting on Thursday, January 23.  It is a season highlighted by many significant anniversaries: David Robertson’s 10th as music director, David Halen’s 20th season as concertmaster, Amy Kaiser’s 20th season as chorus director, the 20th anniversary of the In UNISON Chorus, the 45th season of the St. Louis Symphony Youth Orchestra  and the 135th anniversary of the St. Louis Symphony, and all these take place while the city celebrates the 250th anniversary of its founding.

Dilip Vishwanat

St. Louis Symphony Music Director David Robertson sat down with Cityscape host Steve Potter for a year-end reflection on the accomplishments in the first four months of the 2013-14 season as well as a look at what is still in store.

Topping Robertson’s list of Fall highlights is the Carnegie Hall performance of Britten’s opera “Peter Grimes” which received much critical acclaim including being named in the top five classical concerts in 2013 by New York Times classical music critic Anthony Tommasini.

Jazz pianist and composer Peter Martin
Courtesy of Peter Martin

Vocalist Kim Massie and pianist Peter Martin performed a concert before a sold-out audience in the UMSL at Grand Center Community Room on December 6.  

The entire concert and an interview with Kim Massie will air on Arch City Radio Hour at 9:00 a.m. Monday, December 23 on St. Louis Public Radio’s HD2 Channel, The Gateway. Beginning at that time, the concert and interview will also be available on demand at the St. Louis Public Radio and the Beacon website.

Mezzo-soprano Kate Lindsey and tenor Nicholas Phan are two of the soloists that join David Robertson and the St. Louis Symphony and Chorus in Cantatas 1-3 of Bach’s Christmas Oratorio on December 6 and 7. The two singers also performed in the St. Louis Symphony's performance of Bach's Mass in B Minor in April, 2012.

(via Flickr/cliff1066™)

David Robertson conducted the St. Louis Symphony and Chorus as well as a roster of vocal soloists in a concert version of Benjamin Britten’s opera “Peter Grimes” in Carnegie Hall on November 22, the 100th anniversary of the composer’s birth.  St. Louis Symphony goers had the opportunity to preview that performance the previous Saturday in Powell Hall.  Both performances received accolades from audience members and critics.

When Jeremy Segel-Moss, guitarist with the Bottoms Up Blues Gang, conceived the idea of the Baby Blues Showcase, he probably didn’t think about the fact that his group would one day age out of the annual event. But that’s exactly what happened. The original intent was to give blues musicians under the age of 30 a chance to shine for one night at BB’s Jazz, Blues and Soups.

Alex Irvin

David Robertson, the St. Louis Symphony and Chorus and a cast of vocal soloists led by tenor Anthony Dean Griffey and soprano Susanna Phillips traveled to New York City this week to perform a concert version of Benjamin Britten’s “Peter Grimes.”  The November 22nd performance marks the 100th anniversary of the composer’s birth. St. Louisans were treated to a preview performance on November 16 in Powell Hall.

Alex Irvin

On Saturday, November 16, David Robertson conducted the St. Louis Symphony and Chorus and a cast of vocal soloists in a concert version of Benjamin Britten’s “Peter Grimes.” These same forces will reprise that performance in Carnegie Hall on Friday, November 22, the 100th anniversary of the composer’s birth.

Alex Irvin

American tenor Anthony Dean Griffey has performed to great acclaim in opera houses and concert halls around the world.  But when he appears in the title role of the St. Louis Symphony’s concert version of Britten’s opera “Peter Grimes,” it will be another opportunity to sing the role that is near and dear to his heart.  Not only was it his first major role when he first performed it while a student at Tanglewood, but because Griffey grew up as a shy, misunderstood child, he feels a real connection to the character.

The majority of this interview is a rebroadcast from April 19, 2013.

Cellist Bjorn Ranheim and violinist Shawn Weil are colleagues in the St. Louis Symphony.  Double bassist Syd Rodway and composer/keyboardist Adam Maness are members of the Erin Bode Group.  They got to know each other when Ranheim and Weil collaborated with the Erin Bode Group and also shared an interest in good food and fine beer. 

photo of Barbara Harbach
Stephanie Zettl

University of Missouri – St. Louis music professor and composer Barbara Harbach was commissioned to write a work to celebrate the 50th anniversary of the institution.  As a result, her Jubilee Symphony will receive its premiere on Wednesday, October 9 at the Touhill Performing Arts Center.  Robert Howard will conduct UMSL’s University Orchestra in the premiere.

When giving tours at the Saint Louis Art Museum, people often ask about prints and want to know if they are as important as paintings and I explain that they are another medium of the visual arts. People often are confused and think that prints are just copies of paintings and I have to clarify the issue and explain what a print actually is and that luminaries such as Rembrandt, Max Beckmann, Helen Frankenthaller, and Jasper Johns were painters as well as printmakers.

Joan Lipkin has been creating theater with people who have disabilities since 1996, when she co-founded the DisAbility Project.  An outgrowth of That Uppity Theatre Company, of which Lipkin is artistic director, the DisAbility Project brings together amateur and professional performers of all abilities to create theater based on lived experience.

It took three seasons for the St. Louis Symphony to fill the position of Principal Trumpet after Susan Slaughter stepped down in 2010 after 40 years.  Slaughter holds the distinction of being the first female to hold the principal position in a major symphony orchestra and the word “legend” has been used to describe her. 

Lisa Mazzucco

When mezzo-soprano Jennifer Johnson Cano enrolled in Webster University, her goal was to be a choral conductor.  But Webster’s Director of Vocal Studies Carole Gaspar had other ideas. At the end of Cano’s sophomore year, Gaspar suggested that she should pursue a career as a singer. Cano had already been in her first opera scene at Webster and had enjoyed it.  “So I changed my major,” said Cano, “and started really focusing my energy on practicing and learning more of the craft of what singers need to know to be successful.”

Rich Herberts / St. Louis Public Radio

Every month, St. Louis on the Air holds a legal roundtable in which we discuss local, regional and national issues pertaining to the law.  This month, we took the show on the road to Saint Louis University's new downtown School of Law building.

Host Don Marsh and the panel of legal experts took questions from a live audience in the 12th floor court room. And with the new U.S. Supreme Court session scheduled to begin October 7th, there was a lot to talk about.

The panelists were:

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