Nancy Fowler | St. Louis Public Radio

Nancy Fowler

Arts and Culture Reporter

Nancy Fowler is a veteran journalist whose career spans television, radio, print and online media. Her passions include the arts and social justice, with a particular delight in the stories of people working in that intersection.

She received a regional Emmy Award for news writing at WXYZ-TV in Detroit, and the Pride St. Louis' Felton T. Day Award for service to St. Louis' LGBT community. Her numerous fellowships include USC Annenberg’s NEA Arts Journalism Institute in Theater, and the Wake Forest University Addiction Studies Program for Journalists.

Email her: NFowler@STLPublicRadio.org

Follow her on Twitter: @NancyFowlerSTL

David Robertson, the St. Louis Symphony's musical director, leads the orchestra in this file photo.
Scott Ferguson | Provided

The St. Louis Symphony ended 2016 with the healthiest bottom line in many years.

The good news includes the first balanced cash operating budget this century for the institution, which has a budget of $28.1 million, up from $26.6 million last year. The symphony saw growth in philanthropic support, and increased attendance and ticket sales.

In a news release, St. Louis Symphony President and CEO, Marie-Hélène Bernard praised the symphony's board and the generosity of the St. Louis area. She cited innovative experiences as factors in the orchestra’s achievements.

Cevin Lee poses with his daughter, Alana, and mother,  Phan Ly, at Hong Kong Express on South Grand Boulevard on Nov. 14, 2016.
Carolina Hidalgo | St. Louis Public Radio

Cevin Lee of St. Louis never meant to follow in the footsteps of his parents, who’ve run Asian restaurants for most of his life.

But a health crisis led Lee back to the family’s passion for food, and recently, to open his own restaurant, Garden on Grand, 2245 South Grand Blvd. — next door to his parents’ Hong Kong Express. It was something he once swore he’d never do.

Revelers march down Market Street in this file photo from a previous Pride Parade.
Pride St. Louis | Provided

Pride St. Louis will open a new LGBT Community Center in its office building at 3738 Chouteau Ave., near Grand Boulevard.

The community has been without a meeting and education space for nearly three years, after the center on Manchester Avenue in The Grove area shut down.

The local LGBT population needs a physical space in which to gather and share resources, according to Pride St. Louis secretary Landon Brownfield.

“This marginalized community — the LGBT community, and especially LGBT people of color — it’s really important for all of us to be united and to be able to support each other and we think that the Center will facilitate that,” Brownfield said.

Clockwise from upper left, Jay Ashcroft, Josh Hawley, Eric Schmitt and Mike Parson
File photos | Jason Rosenbaum I St. Louis Public Radio

Missouri voters have given the nod to Republicans running for secretary of state, attorney general, treasurer and lieutenant governor. In congressional races, incumbents held onto their seats.

Actors play the part of other ghosts surrounding the ghost of King Hamlet in this November 3, 2016 photo.
Nancy Fowler | St. Louis Public Radio

As the cast of “Hamlet” carefully rehearsed for opening night, they also got ready to break something: the fourth wall — the theater term for the invisible barrier between actors and audience.

In this rendition by the Rebels and Misfits Productions’ new Immersive Theatre Project, theater-goers are part of the play, opening Saturday at the Barnett on Washington event space in Grand Center.

The interaction starts with the cocktail hour. Don’t be surprised if a character beckons you over or whispers in your ear.

Artist William Burton Jr. talks with Black Rep founder Ron Himes as he works on a mural on the side of the theater company's office building on October 31, 2016.
Nancy Fowler | St. Louis Public Radio

In the mid-1970s, Ron Himes started a St. Louis theater company to tell the stories of African-Americans.

This week, Himes and the Black Rep are marking a milestone — the company’s 40th anniversary — with a fundraising concert, and the launch of a mural project. Both are designed to draw attention to the company, which is emerging from years of turmoil.

10-27-2016: This detail from Edo Rosenblith's mural, "Supper Club," in the Techartista co-working building. shows the artist within his work.
Nancy Fowler | St. Louis Public Radio

You can almost hear the silverware clatter, the glasses clink and the generations clash as Thanksgiving approaches.

St. Louis artist Edo Rosenblith aims to capture the conviviality and chaos of the family dinner table — during holidays or not — in wall-sized mural, “Supper Club.” The 10-by-24 piece towers over work tables at the TechArtista co-working space in the Central West End (see image of full mural, below).

Marjorie Owens is The Prima Donna/Ariadne in Richard Strauss’ “Ariadne on Naxos at Opera Theatre” presented by Opera Theatre St.  Louis during 2016, its 41st season.
Ken Howard | Opera Theatre St. Louis

Opera Theatre of St. Louis is celebrating important gains in financial support and audience growth.

On Friday, the company released numbers for record-breaking fundraising as well as increases in diversity and opera-goers under the age of 50. Luring younger audiences is a crucial component for a successful future, according to general director Timothy O’Leary.

This fall 2016 photo shows the the back of the Smithey's container home with new sod and patio.
Provided | Zack Smithey

A proposed amendment to St. Charles' building codes would make shipping-container homes blend in with more typical houses in the city.

A new home on Elm Street sparked the debate that led to the regulations, introduced at Tuesday night’s City Council meeting. The amendment would require shipping-container homes to be fully sided and have a pitched roof.

Participants in the Good Journey Development Foundation with mentors and instructors
The Good Journey Development Foundation

If you want to come up with a good idea for teen lives, why not ask a teenager?

That’s what a group called The Good Journey Development Foundation does. A group of 13-to-17-year-olds brainstormed a plan for a center offering employment and education tips, along with life-skills training.

Good Journey recently received $300 in seed money for the project from another organization called Better Billion, working to make St. Louis a better place to live.

On Monday morning, St.  Louisans can hear from the Good Journey kids and other Better Billion winners at the St. Louis Board of Aldermen meeting.

Actor Dan Kelly aims his gun, as a cop in "You Try It" by Neil LaBute, part of the "Every 28 Hours" theater collaboration. Actors Joel Beard, Noble Montgomery and Theresa Masters look on.
Nancy Fowler | St. Louis Public Radio

Every day, in St. Louis or elsewhere, a black person shudders in fear after seeing a police officer approaching. Every day, a cop makes a lightning-quick decision that could mean life or death.

A selection from Amy Reidel's "Radar Home: 11.8.13"
Willis Ryder Arnold

We’ve all been touched by cancer, through someone we love or admire, or even our own. Nearly 40 percent of us will be diagnosed with the disease in our lifetime.

Three years ago, St. Louis artist Amy Reidel found out her mother had cancer. Shortly after, first one aunt, then another, got a cancer diagnosis. In the middle of it all, Reidel’s grandmother died.

Visitors to the Contemporary Art Museum are now (Sept. 30, 2016) greeted by warning signs and a wall that went up in front of Kelley Walker's Direct Drive exhibit following criticism and outrage of the work.
Carolina Hidalgo | St. Louis Public Radio

Updated at 1:40 p.m. Oct. 10 — Chief curator Jeffrey Uslip is leaving St. Louis' Contemporary Art Museum for another institution.

Uslip's departure follows weeks of controversy over CAM's current solo exhibition by white artist Kelley Walker that some found demeaning to African-Americans. Three CAM employees and others had called the museum to remove Uslip shortly after the exhibition, "Direct Drive," opened Sept. 16.

In a news release, the Contemporary did not say where Uslip is going or whether he will remain in St. Louis.

Bruno David in his empty Grand Center gallery
Nancy Fowler | St. Louis Public Radio

After Bruno David opened his gallery in Grand Center 11 years ago, he was a cheerleader for the area’s emergence as a major arts destination. Now Grand Center is so successful that David has to leave.

In late October, David is relocating his namesake gallery to Clayton, to a spot on Forsyth Boulevard near the St. Louis Artists' Guild. The move comes a month after inspectors deemed his Washington Boulevard location unsafe. A regularly scheduled assessment revealed that concrete walls in the back of the building were crumbling.

The Rep, The Muny, Stages St. Louis

Stages St. Louis hopes its current production of “Sister Act” will do what the Whoopi Goldberg character in the movie did for her Catholic convent choir: Shake it up — at least where its audiences are concerned.

The theater company’s patrons are not very diverse. Executive Producer Jack Lane, describes the Stages St. Louis audience this way: “suburban, white.”

Attracting more theater-goers of color, while addressing important social-justice concerns on the front burner in St. Louis right now, is important to St. Louis’ larger theater companies, which include the Repertory Theatre of St. Louis, The Muny and Stages. Adding more minority patrons could help with the perennial issue of aging subscribers and donors. But it’s also a way to stay relevant at a time when St. Louis is more riveted than ever on race.

Jason Wilson, CAM board member, and Shanti Parikh, anthropology and African Studies assistant professor
Kelly Moffit | St. Louis Public Radio

An exhibition that opened at the Contemporary Art Museum Sept. 16 continues to draw fire for images that some say are demeaning to African-Americans. The issue has hit home with many St. Louisans including Shanti Parikh, an anthropology and African Studies associate professor, and her husband Jason Wilson, who’s on the board at CAM.

A art piece by Kelley Walker depicting a civil rights-era protest is splattered with melted dark, white, and milk chocolate.
Kelley Walker, Black Star Press | Paula Cooper Gallery

Updated Sept. 29 with a statement from Jeffrey Uslip — The Contemporary Art Museum St. Louis will not remove Kelley Walker’s controversial artwork from its walls. 

Some St. Louis residents called for a boycott of the museum and three of the museum’s black employees called for the removal of four works  — and for chief curator Jeffrey Uslip to resign — on the grounds that Walker’s exhibit demeaned black people. CAM director Lisa Melandri said Monday that removing the work would be censorship.

The Fantasy Food Fare Business Competition winner will be open a restaurant at this location at St. Louis Avenue and North 14th Street in St. Louis' Old North area, seen in this file photo.
Nancy Fowler | St. Louis Public Radio

A St. Louis contest is offering an unusual prize: a nearly fully-equipped restaurant.

Three local organizations are holding a competition in which the winner gets two years of free rent at a restaurant space catty-cornered from Crown Candy Kitchen, on St. Louis Avenue in the Old North area. The prize is a nearly finished 4,464-square-foot space equipped with walk-in freezers, food-prep areas, a ventilation system and even the kitchen sink. The package is worth up to $100,000.

Left to right: Nathan Maul, Sherard Curry and Anna Drehmer in Tesseract Theatre's "Am I Black Enough Yet?" by Clinton Johnston
Tesseract Theatre

The title of an upcoming play by St. Louis’ Tesseract Theatre is a loaded question: “Am I Black Enough Yet?”

It's a challenge that could cause discomfort but the play aims to make fun of the query with a playful approach. The first order of business is to proclaim that the entire audience is “black.” Those who were already black get to be “uber-black.”

Kelvin Urday, center, rehearses "21 Chump Street" with, from left to right, Kevin Corpuz, Omega Jones and Phil Leveling.
Carolina Hidalgo | St. Louis Public Radio

A St. Louis theater company opens a show by playwright Lin-Manuel Miranda tonight. No, it’s not the blockbuster “Hamilton,” although of course that’s what Miranda is known for.

R-S Theatrics is staging “21 Chump Street,” an earlier, shorter musical, as part of trio of one-acts named “Love? Actually … .” It definitely has those Miranda hallmarks: hip-hop, social issues and moral questions, in its telling of a real-life story of love, deception and a drug sting in a Palm Beach, Fla. high school.

A previous exhibition by artist Joan Hall at Bruno David Gallery
Bruno David Gallery

Bruno David Gallery in Grand Center has closed its doors.

Bruno David said his namesake art gallery shut down because of structural concerns recently discovered in its Washington Boulevard building. The issues came to light during an engineering survey.

All upcoming exhibitions are canceled while David looks for a new location.

A. J. Rosenberg was the lead artist on "Peace Wish Dove," 2014. Off-duty police officers and a number of others helped paint the 7-by-4-foot piece at an office on West Florissant Avenue.
Outside In: Paint for Peace

An art exhibition made of plywood, paint and community spirit opens this weekend in St. Louis.

The work emerged from the 2014 unrest sparked by Ferguson police officer Darren Wilson shooting and killing 18-year-old Michael Brown. Nights of protest and police action gave way to days of boarding up buildings.

After a grand jury declined to charge Wilson in Brown’s death, the protests moved in to St. Louis on South Grand Boulevard. Business owners affixed plywood to their plate-glass windows to cover the damage and protect against more.

To artists and others, the plywood became a canvas. Painting alone, and in collaboration, they transformed the knotty wood into works of art. Beginning Saturday, a collection of the pieces will be displayed at several venues in a show called “Outside In: Paint for Peace.”

"Visualize Pi Perspective" is a 2015 Brooklyn mural by Ellie Balk, painted with the help of local students. Pi is represented as a color coded bar graph drawn in one-point perspective. See finished mural in story, below.
Ellie Balk

A trio of local multimedia artists is set to achieve greater prominence.

The arts organization Critical Mass for the Visual Arts announced today that its annual Creative Stimulus awards will go to three women whose work will be shown next year in a mainstream institution.

The 2016 awardees are:

Em Piro founded St. Lou Fringe in 2011.
Em Piro

From a modern-day operatic tribute to “The Goose That Laid the Golden Egg” to a woman interacting with a toy chicken, St. Lou Fringe offers entertainment that can’t be found on any other local stage.

But can the Fringe still fly without its original founder? Em Piro is leaving the organization after its fifth festival, which opens Friday.

In our latest Cut & Paste podcast, we talk with Piro about her collaborative approach, how the festival has grown in step with St. Louis’ arts community and the future of Fringe.

Meghan Baker and Michael James Reed play the husband and wife in "Love's Labor."
Nancy Fowler | St. Louis Public Radio

The Pulitzer Arts Foundation will take on a new role this weekend — as the stage for an original play.

The Pulitzer and Shakespeare Festival St. Louis are teaming up to present a play called “Love’s Labor.”  The production weaves together words from the Bard and  modern-day language in a story about a couple on the brink of divorce.

Keyboardist and singer Ashley Underwood, on the right in red, was only 9 when he saw the Beatles in St. Louis. Pam Strasser, a third-grade teacher, was 14.
Nancy Fowler / St. Louis Public Radio. Ticket stubs provided by Steve Adams and Barbara Ward

In 1966, the civil rights movement was in full swing, protesters marched against the escalating war in Vietnam, and the Beatles were revolutionizing the U.S. music scene.

But for good Catholic girls like Pam Strasser, it was still a time of relative innocence. She and her friends used their babysitting money to buy their tickets when the Beatles came to St. Louis.

Members of Black Pride march in the Pride St. Louis parade in June.
Pride St. Louis

A group of people in St. Louis face a one-two punch of adversity every day.

As members of the LGBT population, they can legally be denied housing or fired on a whim. As African-Americans, they’re already more likely to be homeless or unemployed.

A small, local LGBT organization called Black Pride  embraces all these challenges. But as members prepare for their annual celebration this weekend in The Grove area, members still have to justify the group’s very existence.

Detail of Katherine Dunham in Choros, undated
Missouri History Museum | Provided

Before Rosa Parks refused to give up her seat, before Freedom Riders headed to segregated bus stations, before Martin Luther King Jr. led his first march, there was Katherine Dunham.

The dancer and choreographer stood up to discrimination as far back as 1944. She railed against a system in which hotels wouldn’t book her and theaters wouldn’t let her black and white fans sit together, according to Washington University professor Joanna Dee Das. Das has written a book about the legendary artist and activist who lived in East St. Louis off and on starting in the mid'60s. The book, “Katherine Dunham:  Dance and the African Diaspora,” is set for release early next year.

Kenrich Henderson gazes at a portrait of her daughter Jamyla Bolden. The painting is a gift from St. Louis artist Jane Martin and an organization called Faces Not Forgotten that produces portraits of children killed by gun violence.
Nancy Fowler | St. Louis Public Radio

Kendric Henderson was lying on the bed with her daughter Jamyla Bolden, doing homework, when bullets burst through the window of their Ferguson home. The gunshots killed the 9-year-old and wounded her mother.

Nearly a year later, the pain is still agonizing. But local artists are trying to help keep the good memories alive for Jamyla’s loved ones. They're also helping dozens of other families around the country.

Steve Woolf has worked in Cleveland, Cincinnati and New York as well as St. Louis. He's among the first to receive Webster University’s Declaration of Merit.
Repertory Theatre of St. Louis

A local family has given the Repertory Theatre of St. Louis a sizeable 50th anniversary gift: $1 million.

The endowment from the Augustin family will support The Rep’s Steven Woolf in his artistic director position.

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