When St. Louis attorney recruiter Aaron Williams became interested in croquet 30 years ago, it was about partying, not poetry. Getting some friends together to play croquet in Forest Park was just “something to do.”
“It was an opportunity for everyone to wear white and bring a bottle of champagne,” Williams quipped.
Updated Thursday, April 10 to include material from St. Louis on the Air.
As home to works such as Eero Saarinen’s “Gateway Arch” and Richard Serra’s “Twain” and to places such as Laumeier Sculpture Park and Citygarden, St. Louis has established itself as a formidable player in the public sculpture arena. This reputation is likely to be bolstered by the Monument/Anti-Monument Conference here from April 10-12. It is part of the Sculpture City St. Louis 2014 initiative.
An international flare can be found in St. Louis this week.
The Black Rep is presenting “The Trials of Brother Jero” as its last offering of the season. The show will run April 9-27 at the Emerson Performance Center at Harris-Stowe State University. For details and information go to the website www.theblackrep.org/.
Ah, first Friday and galleries are open. There are lots of things to see, including Carmon Colangelo and others at Bruno David, Maurice Meredith at Portfolio, Gail Cassilly at the Bonsack and the formal opening of the Shearburn Gallery. The Vaughn Center is hosting the Faces Project, which showcases portraits of child victims of gun violence.
Hap Phillips and Nita Turnage’s work can be seen at SOHA Studio and Gallery; and the Creative Exchange Lab is putting up a show that examines the redevelopment of Old North St. Louis.
In the heart of Cherokee Street, 2701 to be exact, The Luminary's new building is rapidly transforming.
The art gallery, incubator and performance venue (formerly the Luminary Center for the Arts) is moving from Reber Place into a 17,000 square-foot space that takes three different properties and melds the historic with the modern.
In only two weeks, a stage, office spaces and wall frames were erected. Over the next two weeks, the construction crew will install drywall and paint. And while its new location undergoes swift changes, The Luminary itself is rebranding.
Art historian and curator Adrienne Childs will lead a discussion on the details and history of the artwork in “Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art” at 7 p.m., Tuesday, March 25, at the Missouri History Museum. She will also talk about the artwork at 11 a.m. March 25 at the Saint Louis University Museum of Art. The exhibit runs through May 18. Included in the exhibit are more than 60 works from such artists as Romare Bearden, Thelma Johnson Streat and Wadsworth Jarrell.
Beginning in 1942 and for around three decades – no one seems to know for sure – a massive mural depicting a flurry of commercial activity along the St. Louis riverfront peered down upon the ticket counter at Union Station.