Art | St. Louis Public Radio

Art

(Courtesy United Designs International Biennial Design Exhibition)

Posters are designed to be functional, usually to get a message out quickly. This often means they are here today and gone tomorrow. But an exhibit currently on display at the University of Missouri - St. Louis gives a little more longevity and exposure to the art form by displaying 100 posters by graphic designers from 40 countries.

This article first appeared in the St. Louis Beacon: Honoring the tradition of a long-well-regarded craft as well as the innovation of the present, the Speaking of Fibers exhibit coming to the Saint Louis University Museum of Art features more than 40 works from members of the Missouri Fiber Artists Organization.

Posing for a Drink and Draw session at the Handlebar
Nancy Fowler | St. Louis Beacon | 2013

This article first appeared in the St. Louis Beacon: It seems to be the new favorite cocktail. Mix in one part drawing or craft-making and one part beer, wine or your favorite mixed drink, and presto: an evening of fun.

Local watering holes and restaurants, an art gallery, a nursery and even a grocery store are encouraging DUIs: drawing under the influence. These events range from bawdy to benign.

Bluff Line Storm
Bryan Daves Haynes

This article first appeared in the St. Louis Beacon: The exhibit of Bryan Daves Haynes’ paintings in the Old Courthouse Rotunda, TREES/WATER/SKY – A Walk Through Missouri conflates present and past to provide a bright new lens for viewing the Missouri region. Haynes’ awesome anachronisms show the period we live in at present as a part of an idealized history.

This article first appeared in the St. Louis Beacon: The Hoffman Lachance Contemporary Art Gallery in Maplewood has dedicated one week to showcase gallery director Michael Hoffman’s thick, rich paintings on wood panels. Hoffman’s secret paint concoction creates luminous swirls in high relief like wet rocks that never dry to lose luster.

Philip Slein, in light shirt, sits in front of a Hi-Fi-FoFum sign in his advertising room.
Jarred Gastreich | St. Louis Beacon | 2013

This article first appeared in the St. Louis Beacon. - Craigslist may not be a place you imagine art collectors trolling for new finds. But where else could you locate an eight-foot-tall Hi-Fi Fo-Fum sign?

And does that even count as art?

Provided by Saint Louis University Museum of Art

This article first appeared in the St. Louis Beacon: If you don’t make it to summer camp this year, the next best thing is James M. Smith’s spectacular installation in the first floor gallery at the St. Louis University Museum of Art (SLUMA).

Public art wall displays students' private aspirations

Jul 8, 2013
Christopher Burch
Provided Christopher Burch | 2013

This article first appeared in the St. Louis Beacon: A mural on the public art wall near Powell Symphony Hall may be temporary, but has permanent impact.

“Reflective Mythologies: Portraits (re-mixed)” explores mythmaking through art, and this through the eyes of 25 students who participated in the project that was led by Craft Alliance. It was led by Christopher Burch, an artist who has roots in University City.

art by Jo Jasper Dean
Provided by PHD Gallery

This article first appeared in the St. Louis Beacon: Philip Hitchcock describes the current exhibit, Drunk on Color, at his phd Gallery on Cherokee Street as “high voltage oil on canvas.” He calls Jo Jasper Dean’s work “intoxicating” and “amplified.” Hitchcock is right.

Dean’s paintings communicate heat and energy that is as intense and enjoyable as a top-shelf cocktail consumed on a tropical beach.

Art by Cecilia Andre
Provided by the artist

This article first appeared in the St. Louis Beacon: Brazilian artist Cecilia Andre found herself drawn to the beautiful tile that she encountered everywhere while traveling through Portugal. Her research into the Portuguese tradition of decorative tile is on display in her glimmering painted canvases, now showing for an extended period at the Belas Artes Gallery.

Courtesy of the artist and Bruno David Gallery Yvette Drury Dubinsky. "Fig for Lunch". 2013. Mixed media on Japanese paper. 22 x 34-1/2 inches (diptych)
Provided by the artist and Bruno David gallery

This article first appeared in the St. Louis Beacon: I was in the middle of writing about Yvette Drury Dubinsky’s extraordinary exhibition at the Bruno David Gallery when the gargantuan tornado of May 20 swept through Moore, Okla., reducing the town to splinters and changing forever the lives of all who lived in that place, and for anyone with a filament of empathy, changing them as well.

This article first appeared in the St. Louis Beacon: Colin Kloecker and Shanai Matteson are the co-directors of Works Progress, a public design studio in Minneapolis. But for the next couple of weeks they are in St. Louis as guests of The Luminary Center for the Arts as a part of The Luminary’s ongoing How to Make a World That Won’t Fall Apart series. The collaborative month-long project, Whole City, puts St. Louis under the microscope as these two Minnesota artists take a fresh, outsider look in, that allows them to ask (as they put it) “naïve” questions.

This article first appeared in the St. Louis Beacon: The Tony Matelli exhibit that opened recently at the White Flag Projects gallery is undeniably fun.

The installation is very unfussy. There are only five objects. But all are perpetually active, so giving them space seems advisable.

This article first appeared in the St. Louis Beacon: When do we want it? Now!

Please?

The birds are on their way. The daffodils and hyacinths are waiting just below the slush. But spring is apt to take you unawares. At the Tavern of Fine Arts Spring Art Opening Celebration, spring is happening right now.

(Rachel Lippmann/St. Louis Public Radio)

Community visionaries and organizers from across the region held a conference in St. Louis on Friday.   The “Livable St. Louis” conference aims to transform the region through a range of quality of life improvements.

The conference was organized by Trailnet and focused on improving declining neighborhoods through projects such as affordable housing, safe streets, vibrant public spaces and green infrastructure.

Regina Martinez works with a group called the Rebuild Foundation that tries to transform old structures into new community assets.

"Y'aba" by Yvonne Osei, Portfolio's "Skin Stories" exhibit
Provided by the gallery

This article first appeared in the St. Louis Beacon: Art can change lives. For example, “365 Days with Dad” Artist Cbabi Bayoc hopes that when people view his positive images of African-American fathers, they’ll fold those perceptions into their belief systems. 

But you can’t be changed by what isn’t there. For many years, African-American art was absent or spotty in many collections.

Whaam! Varoom! R-rrring-g! The canvases of painter Roy Lichtenstein look as if they're lifted from the pages of comic books. Comics were a big inspiration for this pop artist, who was rich and famous when died in 1997 at age 73. But at a major Lichtenstein retrospective at Washington's National Gallery of Art, you can see that the artist found inspiration beyond comic books; he also paid his respects to the masters — Picasso, Monet and more.

The Zurich-based Mona Lisa Foundation said today that it has evidence that a painting that first came to light in the late 1800s is an early "Mona Lisa" also done by Leonard Da Vinci.

Samuel Clemens, who is said to have taken his pen name Mark Twain from the cries of riverboat crewmen, found the inspiration for his classic works while growing up in the river town of Hannibal, Mo. Today, more than 125 years after the first pressing of The Adventures of Huckleberry Finn, there's a new set of artistic characters in Twain's boyhood home.

Rachel Lippmann / St. Louis Public Radio

Just in time for the holiday travel season, contractors at Lambert-St. Louis International Airport have finished their work on Concourse A.

The projects - part of a $70 million overhaul of Terminal 1 - include new ceilings, flooring and carpet, and completely new bathrooms.

Also included? Two new pieces of public art, which airport director Rhonda Hamm-Niebruegge says are the first new pieces since the mural of black aviation was completed nearly 20 years ago.

Eric Woods is Owner and Founder of The Firecracker Press at 2838 Cherokee Street.  He's a visual artist, not a poet.  But he's been teaming up with poets for most of the nine years he's been open, mostly, he says "out of necessity."

"Traces of Time and Presence" features the work of this year's artists-in-residence at Craft Alliance in Grand Center: Erin Vigneau Dimick in fibers, Tom Dykas in clay and Michael Parrett in metals. It's a quiet show, with works in different media that hang well together, forging subtle thematic and formal connections.

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