In the heart of Cherokee Street, 2701 to be exact, The Luminary's new building is rapidly transforming.
The art gallery, incubator and performance venue (formerly the Luminary Center for the Arts) is moving from Reber Place into a 17,000 square-foot space that takes three different properties and melds the historic with the modern.
In only two weeks, a stage, office spaces and wall frames were erected. Over the next two weeks, the construction crew will install drywall and paint. And while its new location undergoes swift changes, The Luminary itself is rebranding.
Art historian and curator Adrienne Childs will lead a discussion on the details and history of the artwork in “Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art” at 7 p.m., Tuesday, March 25, at the Missouri History Museum. She will also talk about the artwork at 11 a.m. March 25 at the Saint Louis University Museum of Art. The exhibit runs through May 18. Included in the exhibit are more than 60 works from such artists as Romare Bearden, Thelma Johnson Streat and Wadsworth Jarrell.
Beginning in 1942 and for around three decades – no one seems to know for sure – a massive mural depicting a flurry of commercial activity along the St. Louis riverfront peered down upon the ticket counter at Union Station.
According to the release from Philip Slein Gallery, Gary Stephen has had more than 70 solo shows and has received awards from the Whitney Biennial, the National Endowmen of the Arts and others. His work is now at the gallery at 4735 McPherson Ave through March 29.
Does every picture tell a story? Is it worth a thousand words? And exactly how many dollars, Euros or, if it were the 1940s, Deutschemarks would it take to buy a work by Leonardo, Picasso or Monet?
At its core, George Clooney’s film, “The Monuments Men,” ponders the value of art. Based on a historical account of the scholars who were sent to find and secure the artworks that fell victim to Hitler’s raping of European culture, “The Monuments Men” recounts the race to rescue the art that the Nazis stole.
Nebula sent the email: "When internationally acclaimed street artist Faring Purth arrived in St. Louis last week looking to paint, all signs pointed to Cherokee as a vibrant creative district that embraces public art. With generous support from the greater St. Louis community of art lovers we pulled together funding and a boom lift to make it happen. A few days later in 20 degree temps, the form of a giant 80’ mural is taking shape on the South wall of Nebula."
*On Thursday, Cbabi Bayoc completed the final piece in his "365 Days with Dad" project. On Friday, he spoke about the project on St. Louis Public Radio's arts and culture talk show Cityscape. This article has been updated to include the audio from Cityscape.