According to the release from Philip Slein Gallery, Gary Stephen has had more than 70 solo shows and has received awards from the Whitney Biennial, the National Endowmen of the Arts and others. His work is now at the gallery at 4735 McPherson Ave through March 29.
Does every picture tell a story? Is it worth a thousand words? And exactly how many dollars, Euros or, if it were the 1940s, Deutschemarks would it take to buy a work by Leonardo, Picasso or Monet?
At its core, George Clooney’s film, “The Monuments Men,” ponders the value of art. Based on a historical account of the scholars who were sent to find and secure the artworks that fell victim to Hitler’s raping of European culture, “The Monuments Men” recounts the race to rescue the art that the Nazis stole.
Nebula sent the email: "When internationally acclaimed street artist Faring Purth arrived in St. Louis last week looking to paint, all signs pointed to Cherokee as a vibrant creative district that embraces public art. With generous support from the greater St. Louis community of art lovers we pulled together funding and a boom lift to make it happen. A few days later in 20 degree temps, the form of a giant 80’ mural is taking shape on the South wall of Nebula."
*On Thursday, Cbabi Bayoc completed the final piece in his "365 Days with Dad" project. On Friday, he spoke about the project on St. Louis Public Radio's arts and culture talk show Cityscape. This article has been updated to include the audio from Cityscape.
Word from the Art Museum sent me looking for more information.
First the release: “The Saint Louis Art Museum presents Anything but Civil: Kara Walker’s Vision of the Old South. Kara Walker, the recipient of the prestigious MacArthur fellowship in 1997, is internationally renowned for her black-paper cut-out silhouettes of the American South. The free exhibition opens in Galleries 234 and 235 on Feb. 26.”
Nicole Eisenman, Sloppy Bar Room Kiss, 2011. Oil on canvas, 39 x 48 inches. Collection of Cathy and Jonathan Miller. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Those who say they do not understand contemporary art or who question the talent needed to create the art they encounter need to see the work of Nicole Eisenman. The survey of her last 20 years of painting, sculpture, print and drawing at the Contemporary Art Museum (CAM) is powerful enough to singlehandedly answer these sort of rumbles. She clearly knows how to draw, how to paint and has something to say.