David Robertson conducted the St. Louis Symphony and Chorus as well as a roster of vocal soloists in a concert version of Benjamin Britten’s opera “Peter Grimes” in Carnegie Hall on November 22, the 100th anniversary of the composer’s birth. St. Louis Symphony goers had the opportunity to preview that performance the previous Saturday in Powell Hall. Both performances received accolades from audience members and critics.
David Robertson, the St. Louis Symphony and Chorus and a cast of vocal soloists led by tenor Anthony Dean Griffey and soprano Susanna Phillips traveled to New York City this week to perform a concert version of Benjamin Britten’s “Peter Grimes.” The November 22nd performance marks the 100th anniversary of the composer’s birth. St. Louisans were treated to a preview performance on November 16 in Powell Hall.
On Saturday, November 16, David Robertson conducted the St. Louis Symphony and Chorus and a cast of vocal soloists in a concert version of Benjamin Britten’s “Peter Grimes.” These same forces will reprise that performance in Carnegie Hall on Friday, November 22, the 100th anniversary of the composer’s birth.
American tenor Anthony Dean Griffey has performed to great acclaim in opera houses and concert halls around the world. But when he appears in the title role of the St. Louis Symphony’s concert version of Britten’s opera “Peter Grimes,” it will be another opportunity to sing the role that is near and dear to his heart. Not only was it his first major role when he first performed it while a student at Tanglewood, but because Griffey grew up as a shy, misunderstood child, he feels a real connection to the character.
When mezzo-soprano Jennifer Johnson Cano enrolled in Webster University, her goal was to be a choral conductor. But Webster’s Director of Vocal Studies Carole Gaspar had other ideas. At the end of Cano’s sophomore year, Gaspar suggested that she should pursue a career as a singer. Cano had already been in her first opera scene at Webster and had enjoyed it. “So I changed my major,” said Cano, “and started really focusing my energy on practicing and learning more of the craft of what singers need to know to be successful.”