Carnegie Hall

(via Flickr/cliff1066™)

David Robertson conducted the St. Louis Symphony and Chorus as well as a roster of vocal soloists in a concert version of Benjamin Britten’s opera “Peter Grimes” in Carnegie Hall on November 22, the 100th anniversary of the composer’s birth.  St. Louis Symphony goers had the opportunity to preview that performance the previous Saturday in Powell Hall.  Both performances received accolades from audience members and critics.

Alex Irvin

David Robertson, the St. Louis Symphony and Chorus and a cast of vocal soloists led by tenor Anthony Dean Griffey and soprano Susanna Phillips traveled to New York City this week to perform a concert version of Benjamin Britten’s “Peter Grimes.”  The November 22nd performance marks the 100th anniversary of the composer’s birth. St. Louisans were treated to a preview performance on November 16 in Powell Hall.

Alex Irvin

On Saturday, November 16, David Robertson conducted the St. Louis Symphony and Chorus and a cast of vocal soloists in a concert version of Benjamin Britten’s “Peter Grimes.” These same forces will reprise that performance in Carnegie Hall on Friday, November 22, the 100th anniversary of the composer’s birth.

Alex Irvin

American tenor Anthony Dean Griffey has performed to great acclaim in opera houses and concert halls around the world.  But when he appears in the title role of the St. Louis Symphony’s concert version of Britten’s opera “Peter Grimes,” it will be another opportunity to sing the role that is near and dear to his heart.  Not only was it his first major role when he first performed it while a student at Tanglewood, but because Griffey grew up as a shy, misunderstood child, he feels a real connection to the character.

Lisa Mazzucco

When mezzo-soprano Jennifer Johnson Cano enrolled in Webster University, her goal was to be a choral conductor.  But Webster’s Director of Vocal Studies Carole Gaspar had other ideas. At the end of Cano’s sophomore year, Gaspar suggested that she should pursue a career as a singer. Cano had already been in her first opera scene at Webster and had enjoyed it.  “So I changed my major,” said Cano, “and started really focusing my energy on practicing and learning more of the craft of what singers need to know to be successful.”

Dilip Vishwanat

St. Louis Symphony Music Director David Robertson conducted the final concert of his orchestra’s 2012-2013 season on May 12 and a special concert for the League of American Orchestras Convention on June 18.  Since then, he has traveled the globe and has conducted concerts on four different continents while also encountering some familiar faces.  “I got to see a number of the St. Louis musicians who also in the summer do anything but keep their instruments in the case,” said Robertson.

(via Flickr/cliff1066™)

We know, we know. No St. Louis Symphony broadcast this weekend. We'll miss it Saturday night, too. But, we're not leaving you completely void of your Symphony fix!

(via Carnegie Hall/Steve J. Sherman)

A local group's out-of-town performance has garnered some national recognition.

The St. Louis Symphony's performance at Carnegie Hall in New York this past Saturday was featured in The New York Times and given a "rave review."

The performance reviewed was of Thomas Adès’ violin concerto, “Concentric Paths" with Leila Josefowicz as the featured soloist.