Over the past 40 years, San Francisco-based Chanticleer has gone to great lengths and unexpected places to refine and expand its vocal repertoire, bringing striking arrangements of popular music into the mix as well as commissioning new choral works by contemporary composers. But centuries-old songs can also be full of surprises – including Antonio de Salazar’s 17th-century arrangement of “Salve Regina.”
After a musicology professor discovered the manuscript buried within Mexico’s colonial-era Puebla Cathedral, he prepared it specifically for Chanticleer to perform.
“He unearthed it, quite literally, and he put all the parts together, and we sing it,” countertenor Gerrod Pagenkopf said on Tuesday’s St. Louis on the Air, just ahead of Chanticleer’s concert at the Cathedral Basilica of St. Louis. “And it’s just a marvelous setting by a relatively unknown composer.”