This fall the National Endowment for the Arts awarded nine St. Louis-based arts organizations a total of $250,000 in grants. But in the visual arts category, only The Luminary Arts Center on Cherokee Street got funding. Thanks to the new NEA grant the space will expand its international artist residency program. Brea McAnally runs the space with her husband, James. They say the award is a national spotlight for the space.
“Primarily we’re just grateful that the organization has been seen and validated on a national level,” said Brea McAnally.
St. Louis is a music town. Luminaries like Chuck Berry and Tina Turner honed their craft here before hitting international stages. For music to thrive it needs a home, it needs live venues. This month, local venue the Gramophone announced it was closing as a concert space and reopening this spring as a bar. Although they’ll still occasionally have live acts, the venue’s shift is away from high-energy music and toward a relaxed food and drink emphasis.
Ask someone younger than 10 if he's ever heard a cassette and you may be met with a blank stare. Before CDs or the ubiquitous MP3, tapes were the go-to method for album releases. Major record labels stopped releasing cassettes years ago, but St. Louis is home to a dedicated tape community. Musicians turn to tape for artistic, creative and practical reasons.
Early this month Tiffany Minx announced on Facebook the closing of her independent music shop Apop Records. The store will close this Monday. Although Minx has stressed a desire to look to the future, some fans are mourning the loss of an integral part of the St. Louis music scene.
“It’s just a major loss,” said Matthew Stuttler, who runs a cassette tape music label distributed online and at Apop.
Bruiser Queen is a pair of St. Louis residents that play catchy, scuzzy, rock music that lands somewhere between 1960s girl groups and 1990s riot grrrl punk. Morgan Nusbaum fronts the band, commanding both microphone and guitar.
She’s backed by Jason Potter on the drums. The duo practices in an old doctor’s office off Cherokee street. The walls are a faded bubble-gum pink and plastic bins for charts are still screwed to the wall near every exam room. The duo rehearsed for Friday’s record release show promoting their newest album Sweet Static.
Cinco de Mayo is one festival that can be counted on NOT to leave St. Louis, let alone the Cherokee Street neighborhood. Every year, St. Louisans have been adding new dimensions to this festival. In 2008, local artists began what’s become Cinco de Mayo’s official parade, the People’s Joy Parade.
In the heart of Cherokee Street, 2701 to be exact, The Luminary's new building is rapidly transforming.
The art gallery, incubator and performance venue (formerly the Luminary Center for the Arts) is moving from Reber Place into a 17,000 square-foot space that takes three different properties and melds the historic with the modern.
In only two weeks, a stage, office spaces and wall frames were erected. Over the next two weeks, the construction crew will install drywall and paint. And while its new location undergoes swift changes, The Luminary itself is rebranding.