Contemporary Art Museum

A recent show at the Contemporary Art Museum
Contemporary Art Museum

The Contemporary Art Museum in Grand Center has joined the ranks of St. Louis’ free cultural institutions, at least through next summer.

CAM has charged no admission fee since early May, thanks to a donation by the local Gateway Foundation, a nonprofit organization supporting art and urban design. Now Gateway has increased its funding to cover the five-dollar cost through August 2015.

Provided by CAM

Felines are fickle subjects when it comes to video (and almost everything else).

The reclusive stars that rule my home scoff at commands to do something cute for the camera. Plus, their 23-hour-a-day sleep schedule leaves only a small window for any possible action shots of bathing, eating or chasing the elusive red dot. What would Frank Capra do?

TMS class of 2012 in Contemporary Art Museum receiving room.
Provided by CAMSTL

If someone were to tally the number of St. Louis area students participating in career training at arts institutions and compare that to the numbers in other local industries, the arts might possibly win. The Contemporary Art Museum, alone, draws hundreds of students into its pre-professional programming each year. And not only are the exciting, pre-professional youth programs at CAM and the St. Louis Art Museum free to participants, some pay a stipend.

photo by David Johnson / Organized by the Pulitzer Foundaton for the Arts & the Sam Fox School of Design & Visual Arts

Updated Monday, May 12 to include the fourth exhibition at CAM.

Three St. Louis institutions are opening major contemporary art exhibitions tonight: the Pulitzer Foundation for the Arts, the Contemporary Art Museum St. Louis and the Mildred Lane Kemper Art Museum at Washington University.

In the hope that St. Louisans will make it an “art night out,” a free shuttle service between the Kemper and Grand Center is being provided from 6:30 p.m. to 9:30 p.m.

David Johnson | PXSTL

 Think of it as your very own performance and gathering space. A former vacant lot, across the street from the Pulitzer Foundation for the Arts in St. Louis’ Grand Center, is booked for more than a dozen events through October. But in between, bring your guitar and your friends for a sing-a-long under its floating canopies. Or relocate your book club there for the summer.

“We want people to just respond to the space in ways we haven’t even imaged yet — and neither have they,” Pulitzer executive Kristina Van Dyke told St. Louis Public Radio.

Our preview of the exhibits opening Friday at CAM includes video of artist Joyce Pensato doing what she loves most: playing with paint, and a look at the work of  Nicole Eisenman.

The title “I Killed Kenny” smacks of death in its reference to the recurring demise of the "South Park" icon. But the exhibit's more about Brooklyn artist Joyce Pensato bringing new life to animated characters ranging from Homer Simpson to Mickey Mouse.

In celebration of the Contemporary Art Museum St. Louis building constructed ten years ago, CAM is presenting an exhibit focusing on the design of the building itself: "Place Is the Space." The exhibit is a collaboration of the building's architect, Brad Cloepfil, and the museum's chief curator, Dominic Molon.

"It's a great space for artists," said Molon of the building. "Ten years on it still remains an incredibly flexible building."

Throughout his career, artist Kerry James Marshall has turned his environment into his muse, turning to the cultural and social landscape of America.

A native of Birmingham, at the age of seven, he moved from the South to the Watts neighborhood of Los Angeles.  He grew up there during the Civil Rights Movement.

Marshall now resides in Chicago and is known for creating series of works based on outdoor landscapes and the interactions of black people within them.

Jeremy Deller

When British conceptual artist Jeremy Deller chose to stage his first private exhibition back in 1993, he decided to go with a small, intimate setting he knew well: his bedroom.

“It wasn’t so full of people, but I didn’t want it to be full of people,” he says of Open Bedroom, which was by invitation only. “I was terrified that someone would put a cigarette end out on a table or a carpet or something.”

Timothy Greenfield-Sanders

Thelma Golden is the Director and Chief Curator of The Studio Museum in Harlem.

Through art, Golden says, people can have a dialogue about race and culture.

This year, Golden is part of the Contemporary Art Museum’s Susan Sherman Annual Distinguished Speaker Series.

Host Don Marsh and St. Louis Public Radio fellowship producer Erin Williams talk with Thelma Golden about her career and work.

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