Hamiet Bluiett | St. Louis Public Radio

Hamiet Bluiett

Dennis C. Owsley / Copyright Dennis C. Owsley

Jazz Unlimited for December 10, 2017 will be “The Career of Don Pullen.”  Pianist/organist Don Pullen was born in Roanoke, Virginia on Christmas Day, 1941.  He was one of the more imaginative players in jazz from 1973 until his death from cancer in 1995.  He co-led the Don Pullen-George Adams quartet, one of the great jazz groups of the 1980’s and then explored connections between jazz, African and Brazilian music in the 1990’s.  He will be heard with his own trio, on solo piano, and with David Murray, Conjure, Maceo Parker, Roy Brooks, the group Shakill’s Warrior, the group Roots,

Dennis C. Owsley / Copyright Dennis C. Owsley

Jazz Unlimited FOR Sunday, November 26, 2017 will be “The Keys and Strings Hour (Jim Hall) Plus New Music.”  I have always been fascinated by the sound and conception of guitarist Jim Hall, who will be featured on the “Keys and Strings Hour.”  Hall will be heard in duos, a trio, piano quartets and a quintet featuring such artists as Ron Carter, Charlie Haden, Pat Metheny, Hampton Hawes, Geoff Keezer and Red Mitchell, who will be playing cello.  New music will be heard by the Canadian pianist Nick McLean, Bill Charlap, Cecile McLorin Salvant, Joey Alexander, Christian McBride and hi

Dennis C. Owsley / Copyright Dennis C. Owsley

Jazz Unlimited for October 29, 2017 will be “Jazz Giants for September and October.”  Jazz giants are those musicians who have made exceptional contributions to jazz.  Our Jazz Giants show for September and October will present such musicians as Jimmy Blanton, Lester Bowie, Clifford Brown, Hamiet Bluiett, Ray Brown, John Coltrane, Dave Holland, Milt Jackson, Elvin Jones, Oliver Lake, Jelly Roll Morton, Art Pepper, Oscar Pettiford, Sonny Rollins, Horace Silver, Art Tatum and Gerald Wilson.

The Slide Show contains my photographs of some of the musicians heard on this show.

Photo by John Emerich

The Sunday, August 10 edition of Jazz Unlimited will present Part Six of the Jazz History of St. Louis: The Black Artists' Group and Human Arts Association (1968-1974).   The BAG period in St. Louis is the second time that St. Louis music had an influence nationally.  The first time was the Ragtime Era around 1900.  When the St. Louis musicians got to New York, they helped change the way jazz and other allied music was played for the next twenty years.  We will hear almost all of the recordings made in St. Louis by these experimentalists.

Dennis C. Owsley / Copyright Dennis C. Owsley

Jazz Unlimited for February 9 is “Live from the Village Vanguard-Part 1.”  We continue our survey of New York jazz clubs with the first of two parts on the Village Vanguard.  Max Gordon started the club in 1935 and ran it until his death in 1989.  Since then, his widow Lorraine continues to run it.  It remains the way it was when Max died.  The featured artists for this show, guitarist Jim Hall, the Gerry Mulligan Concert Jazz Band, the Brad Mehldau Trio, Roy Eldridge, Coleman Hawkins, Earl Hines, the Steve Kuhn Trio, the J.J.

photo of George Sams
Provided by Mr. Sams

This past February, George Sams, owner of the Metropolitan Gallery, decided to close the space at 2943 Locust St. Sams had mounted art exhibitions there since taking it over in 2005 and also presented regular concerts as part of his Nu-Art Performance Series.

Musicians included Hamiet Bluiett and Oliver Lake -- natives of the St. Louis area who went on to international acclaim as members of the World Saxophone Quartet – as well as famed pianist Andrew Hill and trumpeter Eddie Henderson.

This article first appeared in the St. Louis Beacon, Dec. 1, 2011 - Over the past four-plus decades, Hamiet Bluiett has gained worldwide acclaim for his pioneering approach to the role of the baritone saxophone in jazz music.

Best known for his role as one of the founding members of the legendary World Saxophone Quartet, Bluiett also worked with famed bassist Charles Mingus early in his career. Plus, he's released more than two dozen recordings as a leader - showcasing a distinctive, blues-based sound and an amazing technical approach has extended the usual range of the baritone into registers usually reserved for the tenor and alto sax.