When the Sheldon Concert Hall asked Terence Blanchard to replace Latin jazz pianist Chucho Valdés for a scheduled performance this Saturday, Feb. 15, the jazz trumpeter jumped at the opportunity.
“I was sorry to hear about Chucho’s unexpected surgery that forced him to cancel his tour,” Blanchard said during a recent conversation from his home in the New Orleans area. “But I’m very happy to be coming back to St. Louis. I’ve spent quite a bit of time there over the past three years. My wife is starting to think of it as our second home.”
A celebratory concert for donors to Opera Theatre of St. Louis began with a thank you. Donations and total assets had both grown substantially.
General Director Timothy O'Leary had announced earlier on Dec. 9 that donations were up 17 percent over the previous year. For the first time in the company's history, contributions designated for productions and operating support exceeded $5 million.
Originally published on Mon April 16, 2012 6:38 pm
New York-based composer and Peabody Institute faculty member Kevin Puts has won the Pulitizer Prize for music with Silent Night, his first opera. The work received its world premiere in November in at Minnesota Opera in St. Paul.
Pulitzer officials described Silent Night as "a stirring opera that recounts the true story of a spontaneous cease-fire among Scottish, French and Germans during World War I, displaying versatility of style and cutting straight to the heart."
It's been nearly 20 years since the John Adams/Alice Goodman/Peter Sellars/Mark Morris opera The Death of Klinghoffer has been given a full U.S. stage production; the last was in San Francisco in 1992. Perhaps that should come as no surprise, given the rancor stirred by its 1991 American premiere at the Brooklyn Academy of Music. But it's back at Opera Theater of St. Louis for the next week. Its revival has tried to address some of the issues and concerns raised by the controversial premiere.