Opera Theatre of Saint Louis

Cleopatra, left, and Antony, second from right, battle Rome and, at times, each other.
Provided by Shakespeare Festival St. Louis

The evening was crisp. Chairs and blankets were spread out as feasts appeared from baskets. On one hill, Juggling Jeff escaped from a straightjacket. On another, young players trod literal boards previewing what was to come. And in the second act was a tribute to a heroine and the performing arts in St. Louis in the summer: “Age cannot wither her, nor custom stale Her infinite variety.”

Opera Theatre of Saint Louis opens its 40th anniversary season on May 23 with a production of Rossini’s comic opera “The Barber of Seville.” Conducted by St. Louis native Ryan McAdams, the production features the Opera Theatre debut of mezzo-soprano Emily Fons in the role of Rosina.

The season continues with Puccini’s romantic opera “La Rondine” opening on May 30. Former Gerdine Young Artist, soprano Sydney Mancasola sings the role of Lisette.

Christine Brewer is inducted into the St. Louis Walk of Fame
Willis Ryder Arnold | St. Louis Public Radio

Soprano Christine Brewer has joined such other St. Louis greats as Chuck Berry, William Burroughs and Kate Chopin on the St. Louis Walk of Fame. At the ceremony, she said Opera Theatre of St. Louis and the city contributed greatly to her success.

Soprano Sydney Mancasola, left, and conductor Ryan McAdams talk to 'Cityscape' host Steve Potter about the Opera Theatre of Saint Louis' Opera Tastings program on March 27, 2015, at St. Louis Public Radio in St. Louis.
Alex Heuer / St. Louis Public Radio

Interested in having a little food and wine with your opera? No problem.

The Opera Theatre of Saint Louis’ Opera Tastings pair music with food and wine samples.

“It’s an opportunity for people who maybe haven’t been in direct contact with opera singers to experience it for the first time in a very intimate and very sort of delicious setting,” conductor Ryan McAdams told “Cityscape” host Steve Potter on Friday. “I’m still glowing from the indecent amount of fun we had last night.”

Elizabeth Futral as Alice B. Toklas and Stephanie Blythe as Gertrude Stein
Ken Howard | OTSL

Opera Theatre of St. Louis’s “27” is the work of two men obsessed.

“I burrowed myself into a hole and completely allowed the life of Gertrude Stein to wash over me and to become part of my chemistry,” “27” librettist Royce Vavrek said on “Cityscape.”

From the 2012 Opera on the Go program that worked with "Marriage of Figaro."
Opera Theatre of St. Louis

Many St. Louisans know about “The Pirates of Penzance” because of the 1983 movie version starring St. Louis native Kevin Kline or its more recent iterations on The Muny stage.

This month, Opera Theatre of St. Louis is using the Gilbert and Sullivan opera of the same name to introduce elementary, middle- and high-school students to a genre they may not be as familiar with.

Timothy O'Leary, left, Duane Foster and Jermaine Smith discuss #WithNormandy, Sunday's community concert at Normandy High School.
Erin Williams / Opera Theatre of Saint Louis

“We are all one in song,” said Duane Foster, which is the idea behind Sunday’s #WithNormandy: A Concert for Peace and Unity.

The Normandy High School Choir, directed by fine arts teacher Foster, will participate in the concert at the school, along with an all-star cast of performers that includes Denyce Graves, Christine Brewer, Julia Bullock, Erika Johnson, Derrell Acon and Jermaine Smith.

For four years, the Missouri Chamber Music Festival has offered a series of chamber music concerts in the month of June at the First Congregational Church of Webster Groves. But for the first time, the festival will conclude with a grand finale at The Sheldon Concert Hall in Grand Center.

Ken Howard | OTSL

Thirty-one years ago, Opera Theatre of St. Louis pulled off a season that resounds in memory as an artistic volcano, a bonanza, an operatic gold mine, a tour de force. It followed the defining 1982 season, one crowned with Jonathan Miller’s “Così fan tutte,” a show conducted by Calvin Simmons, who died the summer following his and Dr. Miller’s triumphant achievement.

Power of Poulenc

Ken Howard

When Opera Theatre of Saint Louis approached Ricky Ian Gordon about writing an opera for mezzo-soprano Stephanie Blythe, he was thrilled. “Stephanie is sort of a phenomenon. She’s probably the only singer that makes the Met feel too small,” said Gordon to Cityscape host Steve Potter. “It’s very exciting writing for a singer that bears that kind of vocal stature on the stage.  And the minute her name was mentioned to me as someone to write an opera for, I said ‘Gertrude Stein’ because I thought the personality has to match the voice.”

Pages