photography

Jenny Lewis by Abbie Gillardi
Abbie Gillardi

This weekend a new art show held in tribute to St. Louis and rock and roll opens in multiple Grand Center venues. Although the show is held in fine art spaces, organizer Jason Gray hopes it will attract music fans as well. 

“You can’t negate the fan right?” said Gray. “Rock and roll has this tremendous fan-base and culturally it’s this kind of zeitgeist, so it was important for me to think about what the fan would want to see and probably hasn’t seen before.”

Aunt Mamie Lang, Sister of Uncle Jim Lang to the Otey’s Nellie & Brothers ,” ca.  1890, Photographer Unknown (Star Gallery, Kansas Ci ty), ca. 1890, albumen print  cabinet card 6 ½ x 4 ¼ inches, in period frame. Collection of Robert E. Green.
The Sheldon

Pictures don’t lie, the saying goes.  But according to collector Robert Green of St. Louis’ near north side, many historic photos and other renderings of African Americans fail to tell the truth, or at least the whole story.

Looking for the estranged husband. (Digital print, 2015) Sarah-Marie Land
Sarah-Marie Land

Artist Sarah-Marie Land is working to bridge the gap between the banality of daily life and the sometimes disturbing events that take place around us.  

“It’s important for individuals to see a different documentation of crime in our city. It really helps you think about your environment differently,” said Land. 

State Sen. Scott Sifton angrily speaks on Wednesday. The Affton Democrat was a key figure in grinding business of the Senate to a halt after Republicans stopped a filibuster of right to work.
Jason Rosenbaum | St. Louis Public Radio

The final week of the Missouri General Assembly's session is usually pretty hectic — but not for the reasons that occurred last week.

This photo of St. Louis' Big Red Burlecamp was taken in St. Charles in 1963. Big Red is in the center, with guitar.
Reedy Press

When Kenneth Johnson was a young boy growing up in rural Missouri in the 1940s, his bedtime routine included music. But the sounds that lured this youngster into dreamland were the live performances of dance-hall musicians.

Ava channels Mary Eliza Mahoney , the country's first black professional nurse.
Chauncia Boyd Rogers

Oprah Winfrey, Zora Neale Hurston and Ida B. Wells, are just some of the figures 5-year-old Ava Noelle Rogers has embodied during Black History Month.

A photo from Vincent Cianni's "Gays in the Military" exhibit.
Vincent Cianni

Documentary photographer Vincent Cianni was working in his studio in November 2009 when he heard an interview with the mother of a young soldier who was being discharged from the military because he was gay.

Image by Don McKenna
Courtesy of the International Photography Hall of Fame

A new exhibit at the International Photography Hall of Fame bridges the gap between personal perspective and the unfeeling materials of stone, brick and steel. According to Executive Director John Nagel, 72, this focus can be found in the exhibit’s unfamiliar images of a well-known city.

“This is not the greatest hits of St. Louis architecture,” he said.

A photo from Regina DeLuise's Bhutan exhibit at the Museum of Contemporary Religious Art in St. Louis.
Regina DeLuise

Photographer Regina DeLuise took a chance and ended up in Bhutan.

“Oftentimes in my life and in my career, I’ll just kind of throw my hat far over the fence somewhere and then go collect it and see what happens,” DeLuise told “Cityscape” host Steve Potter. “It was a very amazing trip. (A) very special place.”

Steph James
Jess Dugan

Until her late 50s, Steph James of Maryland Heights lived a life that, from all appearances, looked like the American dream.

Jess Dugan, left, and Vanessa Fabbre
Nancy Fowler | St. Louis Public Radio

When the TV show “Transparent” won two Golden Globe Awards a week ago Sunday, many transgender people felt validated, and a little less invisible.

Chris Renteria's portrait of an Missouri State Highway Patrol trooper assigned to protest detail re: Ferguson
Courtesy of Chris Renteria

This Friday the Kranzberg Arts Center opens a photo show challenging popular media representations of events in Ferguson. The photographers focused the lives of Ferguson residents, details, portraiture, and children instead of just conflict. Participating photographer Chris Renteria, 40, saw unity where many see division.

“Whether I looked through my lens and saw a police officer in riot gear holding an assault rifle, or a 2-year-old in his mom’s arms as she’s fist-raised and chanting - in each person there’s humanity,” said Renteria.

Via Cinema St. Louis

Flipping through the nation’s family album, what’s missing? That question led director Thomas Allen Harris to create “Through a Lens Darkly: Black Photographers and the Emergence of a People,” a film that examines how photography shaped the identity and perceptions of blacks in America.

“In some ways, it is a history lesson, although it’s kind of a different take on history because we have a lot of contemporary artists in the film,” Harris told “Cityscape” host Steve Potter on Friday. “In many ways, as they do this, they reshape the way in which we view history.”

Photo Flood Photographer Jeni Kulka's September 20th Image in Tower Grove Park
Photo Flood Photographer Jeni Kulka

Late one sunny afternoon in late September eight photographers gathered at the Grand Avenue entrance to Tower Grove Park. For roughly 15 minutes the photographers chatted about gear, the quality of sunlight slipping through the leaves, and the stories behind some of their favorite photographs before slipping out into the park to document their surroundings.

Nic Tullis

The Sheldon has its own way of celebrating St. Louis’ birthday. Its new exhibit "The City at 250: A Celebration of St. Louis in Photographs" stemmed from a city-wide photo contest the Sheldon launched with the Beacon (now part of St. Louis Public Radio) that received over 500 entries. Focusing on photos of the city as it is today, the exhibit is a companion to the Sheldon's “Imagining the Founding of St. Louis.” Together, they offer a then and now view for the city’s 250th celebration.

Courtesy PHD Gallery

Updated following "Cityscape"

A couple of months ago, PHD Gallery owner Philip Hitchcock hesitated before pressing “Send” for his mass email soliciting selfies for an art exhibit.

“What if I do this big launch and the returns come back low?” Hitchcock said. “I was really, really nervous about it.”

But once he got a handful of “yes” responses, he figured he could use them as leverage.

“I could say, for instance, to Philip Slein, ‘Hey, Duane and Bruno are doing it, and Leslie Laskey and Roseann Weiss,'" Hitchcock said. "And it started to get legs.”

Oscar C. Kuehn / Missouri History Museum

To mark the 100th anniversary of St. Louis’ incorporation as a city, an imposing array of “gasbags” assembled at the edge of Forest Park in 1909 for the St. Louis Centennial balloon race.

(A bunch of politicians were there, too.)

Photos provided by the Sheldon Art Galleries

The St. Louis area is crawling with photographic opportunities. Local professional Ryan Archer took advantage of one of them to win Best in Show in the Sheldon’s “The City at 250” photo contest.

Archer’s “City Museum Climbers,” entered in the “Events and People” category, garnered him $1,000 and a place in “The City at 250” exhibit, opening June 6. The competition was a collaborative effort of The Sheldon and the St. Louis Beacon, now St. Louis Public Radio. The Beacon merged in December with St. Louis Public Radio and is no longer a separate entity.

Finding Vivian Maier
movie Facebook page

Finding Vivian Maier,” a documentary opening Feb. 25 at the Plaza Frontenac Cinema, tells the story of a woman who worked as a nanny in New York and Chicago. She also took thousands of photographs that were never published and only discovered fairly recently.

Her story piqued the interest of the art world. The quality of her work has sustained it.

Dan Younger

On display now at the Sheldon Art Galleries is “Dan Younger: Travel Places,” a collection of photographs by University of Missouri-St. Louis Art Professor Dan Younger.  

The photographs were taken at U.S. tourist destinations over the span of ten years, the result of Younger’s habit of carrying two cameras – one for his family and one for art. Taken in public spaces, they fall under the category of “street photography.”

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