Poetry

Update: Snow Didn't Stop Poetree Project In Forest Park

Dec 12, 2013
Tom Nagel

Update Dec. 15: New snow did affect Poetree. It brought in some people who might otherwise have not visited the installation. About 400 poems were submitted and another 600 were installed in a grove between the Art Museum and Zoo, including original works submitted to the project. 

At photographer Tom Nagel’s suggestion, historic preservationist Michael Allen mailed "Those Winter Sundays" by Robert Hayden to the mayor.

(Courtesy of Arthur Schwartz)

When Arthur Schwartz was 10 years old his parents gave him a newspaper clipping – a poem about the 1946 World Series in which the St. Louis Cardinals beat the Boston Red Sox.

After hearing our recent program on a new book about the 1946 World Series, Schwartz contacted us about the poem he memorized as kid, 67 years ago. 

This article first appeared in the St. Louis Beacon: Ken Brown scared me a little bit.

That was an impression based on exactly one interaction, when the man read a series of short poems at the Firecracker Press on Nov. 19, 2011. The moment was interestingly intense, one of those experiences of taking in art that burns an impression in your mind, one that lasts for a good, long while.

Henry Goldkamp can take his typewriter anywhere.
Robert Rohe

This article first appeared in the St. Louis Beacon: Henry Goldkamp was smiling as he paced the sidewalk outside of St. Agatha Church with his cell phone pressed to his ear. "Inquiries,” he would later explain.

St. Louis’ "Rogue Poet” has been receiving many of those since launching What the Hell is St. Louis Thinking (WTHSTL) in August.

Erin Williams

  Henry Goldkamp has established himself as a bit of a writing fixture in the arts world of St. Louis. He spends his weekdays working in his family’s construction business, but on the weekends you can find him around town at his mobile office, banging out short vignettes of happiness, fear, love and passion on his manual typewriter as sole proprietor of Fresh Poetry, Ink.

This article first appeared in the St. Louis Beacon: In her poems, Shirley Bradley LeFlore tells stories; and often, those stories are about women.

“I felt that women represent so much, as mothers, being a mother myself, being a girl, being an active person, a traveler, a woman that was always, from a girl, interested in watching people, listening to them,” she says. “I would say that runs through a lot of my work.”

Erin Williams

The intimate crowd was invited to share their thoughts on race and personal identity through spoken word. Guests wrote their six-word stories on the subject using cards from Michele Norris’ The Race Card Project

(via Wikimedia Commons)

April is national poetry month and as part of the commemoration, the St. Louis Poetry Center holds “The Belle of Blueberry Hill: Emily Dickinson at the Duck Room.”

While the St. Louis Poetry Center features the work of many poets and writers over the course of a year, the influential work of Emily Dickinson (1830-1886) is on focus at the organization’s upcoming event.

In 1862, Dickinson sent a letter containing four poems to Thomas Wentworth Higginson, who would later write of her, a “wholly new and original poetic genius.”

Eric Woods is Owner and Founder of The Firecracker Press at 2838 Cherokee Street.  He's a visual artist, not a poet.  But he's been teaming up with poets for most of the nine years he's been open, mostly, he says "out of necessity."

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