You Are My Reflection by Erin Rachel Hudak. Installed with the help of St. Louis Community College students at Paul Artspace
Willis Ryder Arnold | St. Louis Public Radio

Two north St. Louis County groups are bringing together local and visiting artists.  Paul Artspace and Sculptureworks Ferguson founders said they’re united by a common cause.

“We’re looking to go into the community, use the exhibition as this kind of mechanism to create conversations, to create networks, to introduce people from outside the community to people inside the community,” said Michael Behle, founder of Paul Artspace founder.

Artist Davide Weaver examines an installation-in-progrress at his "Star Wars Toys" art exhibition at the City Museum.
Nancy Fowler | St. Louis Public Radio

If the “The Force Awakens” has reignited your passion for “Star Wars,” you might be interested in an art exhibition at St. Louis’ City Museum.

The 24-foot-tall "Adinkra Tower" by sculptor Thomas Sleet was dedicated on Dr. Martin Luther King Jr.'s birthday.
Arts in Transit

If you see people craning their necks to look up at Riverview Transit Center in north city, here’s a reason why: They’re likely contemplating a new 24-foot-tall sculpture called “Adinkra Tower.”

Officials from Metro’s Arts in Transit program formally dedicated the work today. It features Adinkra symbols of the Ashanti people of Ghana in West Africa, representing principles including creation, hope and wisdom.

Willis Ryder Arnold | St. Louis Public Radio

The Pulitzer Arts Foundation’s first exhibit of exclusively African art asks the question, “how can technology help curate a show?” For curator Kristina Van Dyke, this question may predict the future of curating.

“I think this is a really important show for the field because it introduces a methodology that I believe will be increasingly important,” said Van Dyke, the Pulitzer's former director, as “Kota: Digital Excavations in African Art” was opening.

Detail of 'If a World is a Fair Place Then...' artwork Raqs Media Collective
Willis Ryder Arnold | St. Louis Public Radio

As Laumeier Sculpture Park opens its Adam Aronson Fine Arts Center to the public, exhibited works will be designed to bridge international and local communities. Among those whose work is featured in the first show, which opens Friday, is Raqs Media Collective.

Fred Sandback, Untitled (Study for Kunstraum Munich)
Estate of Fred Sandback, Courtesy David Zwirner, New York/London

The Pulitzer Arts Foundation’s first exhibition since its reopening comes to an end this week. The exhibit highlights three artists including Fred Sandback whose yarn sculpture appears in one of the building’s new gallery spaces.

The piece stands out from the other work on display because Pulitzer staff rearranges the sculpture each week. This week Sandback’s piece “Sixty Four Three-Part Pieces,” enters its final Pulitzer iteration.

Some objects found inside the newly acquired GCADD buildings will remain
Willis Ryder Arnold | St. Louis Public Radio

In Granite City, $75,000 can buy you almost an entire city block. At least if you’re an arts organization.

“This is the promised land is what it is, it’s the land of opportunity. And as much as it may sound hackneyed or trite, it’s true,” said Galen Gondolfi, founder of Fort Gondo Compound for the Arts.

This week marks the end of construction on Laumeier Sculpture Park’s fine arts center. According to park Executive Director Marilu Knode, the entire building was designed to bridge the gap between future indoor exhibits and its already established outdoor collection.

“You know we’re an outdoor park, we don’t need a fancy building we need something that’s like a barn!” she said.

Mathias Gasteiger, German, 1871-1934; Hercules and the Hydra, 1921-30; bronze; 95 ½ x 77 x 56 inches; Saint Louis Art Museum, Funds given anonymously 1:1930
Willis Ryder Arnold | St. Louis Public Radio

The 15 year-long renovation of the St. Louis Art Museum has finally reached completion. Museum director Brent Benjamin said he hopes the completed sculpture garden will be as well received as the rest of the museum’s changes.

St. Louis Artworks new home on Delmar Boulevard
Willis Ryder Arnold | St. Louis Public Radio

St. Louis Artworks is preparing its first permanent home in 20 years.

“It feels like the beginning of a new day. A dream is coming true,” said Executive Director Priscilla Block.

Donald Judd's Untitled, 1984 recently underwent a three stage conservation process to keep presentation in line with the artist's wishes.
Kevin J. Miyazaki/Courtesy of Laumeier Sculpture Garden

Famed minimalist artist Donald Judd’s sculpture at the Laumeier Sculpture Garden just got a $200,000 facelift.

“People see things outside and think it’s just like a car sitting outside on their driveway, but a car sitting outside will show a lot of damage and weather wearing and so on and so forth,” said Executive Director Marilu Knode.

Courtesy of the Saint Louis Art Museum

The Saint Louis Art Museum's "Atua: Sacred Gods From Polynesia" exhibition takes a closer look at sculpture and religion, but it's not the first time the museum has explored art from the region.

"The museum's been collecting Pacific art since the 1900s," said Nichole Bridges, associate curator in charge of the arts of Africa, Oceania and the Americas at the museum. "Most of the permanent Pacific arts collection comes from Melanesia; we have very little that comes from Polynesia. This is a nice complement to our collection."

Max and Daisy Cassilly both work at the museum their parents created.
Nancy Fowler | St. Louis Public Radio

When your childhood’s spent roller blading, building forts and doing your homework among the rubble that would become St. Louis’ iconic City Museum, where else are you going to work when you grow up?

Max and Daisy Cassilly were in their early elementary-school years when their parents, Bob and Gail, began transforming the dilapidated 11-story former International Shoe building on Washington Avenue in 1995. The family practically lived there for two years.

Photo courtesy of the artist.

Miles Davis once said, “Always look ahead, but never look back.” Yet some Alton residents believe looking back is a matter of pride.

The Miles Davis Memorial Project maintains a varied fundraising approach in its effort to erect a statue in Davis’ honor. The group has held events, started Indiegogo campaigns and gathered donations.

Commentary: Has The Definition Of Sculpture Changed?

Jul 11, 2014

The standard definition of sculpture in almost any dictionary says that sculpture is the art of modeling, welding or otherwise producing figurative or abstract works of art in three dimensions, as in relief, intaglio or in the round.

Nancy Fowler | St. Louis Public Radio

Everybody thinks their own kids are geniuses when they make cars, castles and the occasional bridge out of LEGOs. But a New York artist has truly transformed what must’ve been the world’s largest LEGO set into 25 nature-themed sculptures.

Sean Kenney’s traveling exhibit currently occupies the Missouri Botanical Garden’s Climatron, posing behind plants, crouching over the soil and waiting to be discovered.

Even before Citygarden opened, the rabbits -- ones who actually hop and eat -- had discovered the park. No visitor ever got to see the hollyhocks.
File photo | Rachel Heidenry

A birthday party will be held Wednesday for St. Louis' youngest urban treasure: Citygarden. In honor of its fifth birthday, the lunchtime concert featuring DJ Nune, will run from 11:30 a.m.-1 p.m. and refreshments will be served.

Five years ago, a St. Louis Beacon article said:

"Build it and they will come? Most definitely.

"Citygarden, which opened today, was full of curious visitors ready to explore. Even skeptics came away with enthusiastic reviews.

Stephanie Zimmerman | St. Louis Public Radio Intern

Stan Chisholm’s whole working-in-Styrofoam thing started with a need to keep moving.

Wood is heavy. Styrofoam is light. It can be broken into pieces and easily transported in a suitcase or even a backpack, especially important during his car-less time at the School of the Art Institute of Chicago. Its unconventionality also infuses a bit of dark comedy into Chisholm’s work.

“It’s kind of a parody,” Chisholm, 27, said. “I don’t know anyone who uses foam like me.”

Courtesy of the Missouri History Museum

Climbing to the top of the Compton Hill Water Tower can give an excellent view of the city, but near its base you can find a much more controversial sight: a 100-year old naked woman. Reservoir Park, at South Grand and Shaw, is home to the Naked Truth monument which honors three turn-of-the-century German-American journalists.

gigantic eyeball sculpture
Laumeier Sculpture Park

Updated  Thursday, April 10 to include material from St. Louis on the Air.

As home to works such as Eero Saarinen’s “Gateway Arch” and Richard Serra’s “Twain” and to places such as Laumeier Sculpture Park and Citygarden, St. Louis has established itself as a formidable player in the public sculpture arena. This reputation is likely to be bolstered by the Monument/Anti-Monument Conference here from April 10-12. It is part of the Sculpture City St. Louis 2014 initiative.  

Provided by SLAM

Word from the Art Museum sent me looking for more information.

First the release: “The Saint Louis Art Museum presents Anything but Civil: Kara Walker’s Vision of the Old South. Kara Walker, the recipient of the prestigious MacArthur fellowship in 1997, is internationally renowned for her black-paper cut-out silhouettes of the American South. The free exhibition opens in Galleries 234 and 235 on Feb. 26.”