On Friday, April 11 the Modern American Dance Company (MADCO) will premiere “Liquid Roads” at the Touhill. Choreographed by Gina Patterson to music directed by Brian Casserly, the 90 minute work is a celebration of St. Louis as a crossroads of music.
“St. Louis has a tradition of being a crossroads, with the river and also the railroads coming from east and west coming into St. Louis. And all of that brought people, and the people brought their music,” said Casserly.
A theatrical adaptation of the C.S. Lewis novel The Screwtape Letters returns to the Touhill this weekend. When the play was first performed in St. Louis in 2010, director and co-author Max McLean performed the role of the demon Screwtape. The role is now performed by Brent Harris.
"He has a lot of experience playing evil characters," said McLean of Harris. "Macbeth, Iago, Scar from the Lion King."
When Paula David decided over Thanksgiving weekend of 2009 that she intended to start a contemporary dance company, she knew that she wanted to commission a work by her former colleague, Hubbard Street Dance’s founder Lou Conte, The ‘40s. When he agreed, she set to work on incorporation and other logistics necessary to create a non-profit organization.
For the 34th year, the University of Missouri – St. Louis School of Professional and Continuing Studies presents a four-day festival highlighting the art of storytelling. From May 1 – 4, six featured storytellers from across the nation join fifty storytellers from the St. Louis region to present more than one hundred events in a host of locations including the Gateway Arch, the Missouri History Museum and numerous libraries, parks and bookstores in St. Louis and St. Charles Counties.
In the late 1990’s Eastman School of Music students Gavin Chuck and Alan Pierson saw the need for a top notch ensemble to perform their compositions and other contemporary music. They set to work and formed the student ensemble Ossia. One of their more notable concerts was one in 1999 that featured music by Steve Reich which the composer attended. After the concert, Reich expressed to the group his desire for an American new music ensemble that would be equivalent to England’s London Sinfonietta or Germany’s Ensemble Modern.
From April 18th through 20th, the Greater St. Louis Jazz Festival will bring some of the greatest names in professional jazz to the stage as well as provide training opportunities for some 800 students. In its tenth year, the festival has grown to be one of the most significant festivals in the Midwest. Founded in 2004 by the University of Missouri – St. Louis and the Touhill Performing Arts Center, the festival last year added a partnership with Jazz St. Louis.
When a symphony orchestra performs Carl Orff’s “Carmina Burana,” it’s always something of a spectacle. The stage is packed to the brim with a large orchestra including two pianos and celeste, vocal soloists, a chorus and children’s chorus. But Nashville Ballet Artistic Director Paul Vasterling’s vision of “Carmina Burana” employing 120 singers, 60 orchestral musicians and 40 dancers takes the work to new proportions.