Visual Art | St. Louis Public Radio

Visual Art

Injustice Bear is the title of the black-and-white piece; Justice Bear is the name of the gold and yellow work. A street artist known as finnch created the contrasting canvasses.
St.ART

An international conference in Atlanta will spotlight St. Louis artists who took part in a festival designed to highlight local racial and socioeconomic divisions.

The exhibition at the Hope Global Forums conference in March stems from the inaugural St.ART street art festival  this past October in Forest Park and Fairground Park.

Visual artist and RAC grantee Ellie Balk works on a mural. She hopes to use some of her RAC fellowship money to create a workbook to demystify the process of creating public art.
Michael Toolan

The Regional Arts Commission of St. Louis has reached a major milestone in a program supporting local artists.

In 2013, RAC began awarding $20,000 to 10 Artist Fellows. Today, the group announced its fifth round of grants, bringing the total to $1 million.

This photograph by Kat Reynolds is part of the Mane 'n Tail exhibition. Other artists include LaKela Brown, Pamela Council, Baseerah Khan, Abigail Lucien, Narcissister, Yvonne Osei, Shenequa, Diamond Stingily and Rachel Youn.
Provided | Kat Reynolds

Kat Reynolds stops by the beauty products store about as often as some people shop for groceries — about three times a month.

For many women, shampoos, conditioners, extensions and weaves seem to hold the key not only to an improved appearance but also a kind of self-satisfaction, according to Reynolds. With that in mind, the photographer is curating an art exhibition, “Mane ‘n Tail,” named for a popular line of beauty products.

Reynolds said the show, which opens Jan. 19, focuses on female attractiveness and African-American culture, including money and self-determination.

The central corridor illumination art project on these grain elevators was tested briefly on Dec. 12.
Provided | Raven Fox

Many St. Louisans pack the family into the car, drive around, and ooh and ah over lighting displays during the Christmas season.

They might want to do it again in February.

That’s when the next phase of a huge, colorful, illumination art project will be briefly visible in St. Louis’ central corridor — and for miles around. The “canvas” consists of a series of grain silos that sit less than 200 yards from the IKEA store between Sarah Street and Vandeventer Avenue.

This article first appeared in the St. Louis Beacon: November 12, 2008 - Tim Liddy's "Stratagem" at the William Shearburn Gallery is the kind of thing only a painter of Liddy's caliber should ever take on.

Kristin Cassidy spent weeks getting this set ready for the encore production of Remnant.
Provided | John Lamb

You can often find St. Louis artist and set designer Kristin Cassidy on the banks of the Mississippi River, picking up stones, metal and even animal bones.

An ancient stature lies half exposed from the ocean bed, it's face and shoulders exposed to water.
Provided by St. Louis Art Museum

Sixteen-foot sculptures depicting humans and gods will live among the St. Louis Art Museum’s collection this spring.

Museum officials are calling it “the most significant exhibition of ancient Egyptian art undertaking in St. Louis in more than 50 years.” The show, titled “Sunken Cities: Egypt’s Lost Worlds,” will feature massive sculptures and antiquities from ancient cities Thonis-Heracleion and Canopus. 

Indoor golf is coming to The Sheldon Art Galleries in summer 2018.
Provided | Scott MacLeod | Flickr

A St. Louis institution known for displaying paintings will temporarily change its focus to putt-putt next summer.

In June, all 6,000 square feet of The Sheldon Art Galleries will become a mini golf course.

Visitors can actually play the course, Sheldon Director Olivia Lahs-Gonzales said.

“Usually, you go into an art gallery and you’re not allowed to touch anything,” Lahs-Gonzales said. “This is an opportunity to be immersive, to have an immersive experience.”

One of 45 images selected for display at the organizations new space.
Willis Ryder Arnold | St. Louis Public Radio

While selecting images for the art show “On the Street Where I Live,” Amanda Verbeck of Pele Prints saw certain themes emerge in artists submissions: impermanence, restlessness, transition and instability.

She wants the show at Webster Arts to explore the places where people live and their relationships with their neighbors.

These photos were salvaged from a condemned home in the former Wendell-Phillips community in Kansas City.
Nancy Fowler | St. Louis Public Radio

Lois Conley was a teenager when her parents lost their Mill Creek neighborhood home to eminent domain. A portion of her former backyard became Market Street after the city leveled the area in the name of progress.

Conley is the founder of St. Louis' Griot Museum of Black History, which sits across the street from the site of the future National Geospacial-Intelligence Agency, in a demolished area that was part of the  St. Louis Place neighborhood.

Through Dec. 15, the north St. Louis museum is hosting an exhibition exploring how the government’s power to condemn mostly black neighborhoods has affected people in St. Louis and Kansas City. Conley and photographer Matt Rahner co-curated the display.

Conley talked with St. Louis Public Radio’s Nancy Fowler about the exhibition, “Eminent Domain/Displaced,” as well as her personal experiences of more than 50 years ago.

Reviews of top shows: at RAC and Mad Art

Oct 8, 2017

This article first appeared in the St. Louis Beacon: August 4, 2008 - If you missed the incredible opening of "Screwed In" -- and even if you saw it -- it's highly, highly recommended that you visit the exhibition, even though it's a completely different (and quieter) animal than it was on that opening night.

Sept. 30, 2017. Dail Chambers works on a piece called A Song for the Black Rising at the St.ART event. Chambers said the piece examines repetition and and reflects the Jason Stockley verdict protests and the 20th-century Great Migration.
Nancy Fowler | St. Louis Public Radio

The two-day St.ART festival this weekend is billed as a street art event, but it takes places in parks, not streets.

It opened Saturday at Langenberg Field in Forest Park with local artists including Basil Kincaid, Cbabi Bayoc and Peat Wollaeger covering 8- by 10-foot canvasses with mostly black and white materials including paint, spray paint and quilted pieces.

The stark images represent deep divisions within the St. Louis community, said organizer Michael Tompkins.

“The segregation, not just in race, but also in the socioeconomic divide,” Tompkins said.

This file photo of painter Rey Alfonso shows him during a 2015 return visit to Matanzas, Cuba, where he was born and grew up.
Provided | Patricia Alfonso

When Cuban-born painter Rey Alfonso was 12, his mother died. The next year, he built a raft and set out alone for the United States, away from Fidel Castro's Cuba and all that was familiar.

It would be the first of many attempts to pursue a new life. After the raft sank a few miles off shore, the Cuban Coast Guard picked him up and sent back to his grandmother’s house. A few months later, he tried once more and again, his raft sank.

This is an image of late actor Eartha Kitt from "Angelitos Negros #1," a video by artist Mickalene Thomas.
Provided | Contemporary Art Museum

Many St. Louisans have been watching the Contemporary Art Museum closely since an exhibition last fall was viewed as offensive to black people, particularly women.

But an upcoming display could leave CAM visitors with a better impression. On Sept. 8, the museum opens four shows, including one featuring the work of Mickalene Thomas, an African-American multimedia artist.

Local art collector Adrienne Davis said Thomas’ images of black women stand in stark contrast to those of Kelley Walker, a white male artist whose Sept. 2016 exhibition outraged many visitors.

In this file photo: Antionette Carroll's Creative Reaction Labs works with students and oth
Provided | Creative Reaction Lab

St. Louis’ Arts and Education Council has announced the first recipients of a new startup competition for arts entrepreneurs. The winners are Antionette Carroll and Amanda Wells.

Carroll founded a group called Creative Reaction Lab, which uses design to meet the challenges of underrepresented communities. One project brought in professionals to teach students about creative problem-solving.

Wells organized the writers’ collaborative Flow that enables writers to work together and artists to work with writers.

A young woman stands before Edo Rosenblith's painting which is three black and white triangle panels linked to form a large triangle.
Provided by Daniel Burnett

Most people probably don’t think artists develop their exhibits by meeting for coffee, walking through the park, and talking. But that’s exactly how the Daniel Burnett-curated show, “Anchors,” came together. Burnett said his initial approach wasn’t about finding the biggest names in St. Louis, but finding out how artists might fit together to represent the visual art community.

You know what they say: You can’t spell Cut & Paste without “u.”

OK, go ahead: groan. We're groaning with you. We know that no one says that.

But seriously, we want to know what you want to hear in Cut & Paste, our arts and culture podcast. Not necessarily “who,” but what kinds of conversations and experiences do you want to be in on?

A print by Mitchell Eismont, cut from linoleum depicts noted physicist Albert Einstein above the words "Einstein was a refugee."
Courtesy of the St. Louis Artists' Guild

Ohio-based artist Mitchell Eismont’s interest in the ongoing Syrian refugee crisis developed while he was producing posters for East Coast musician Chadwick Stokes' “Forced to Flee” tour. Inspired by Stokes' dedication, Eismont began work on a series of prints supporting immigrants and refugees, featuring cultural figures like the Dalai Lama, Jesus and Albert Einstein.

“I think it’s probably the crisis of our generation,” Eismont said of the crisis, which stems from a long-running civil war. “I think it’s important to try and help with the situation.”

A 2016 New Haven, Connecticut, exhibition is seen in this file photo. It's called “As in the Light of Marielle” and involves the work of artists Faring Purth and Raven Fox and is similar to what they plan to show in St. Louis Friday night.
Provided | Faring Purth and Raven Fox

St. Louis drivers going north on Jefferson Avenue who pass Cherokee Street can’t miss the 100-foot long mural of a nearly-naked crouching woman, called “Prime.” On Friday night, it will be more visible than ever.

“Prime” will be lit up with different colors and adorned with projected photos, as part of a pop-up exhibition at 3401 South Jefferson Ave. called “The Other Girls.”

Kat Reynolds is pictured in a file photo of a self-portrait shown recently at The Militzer Art Gallery in St. Louis.
Provided | Kat Reynolds

Photographer Kat Reynolds is having a moment.

In the past few months, Reynolds has exhibited at five St. Louis venues. She was named this year’s Emerging Artist by the local Visionary Awards, a prize she’ll accept April 24 at the Sun Theater in Grand Center. She’s also wrapping up a residency program at Paul Artspace, north of Florissant. Her work primarily features young people of color, friends, people she encounters on the street, or people she finds through social media.

Reynolds works all these activities around a full-time customer relations job. In our latest Cut & Paste podcast, we catch up with this busy artist, who strives to genuinely connect with her subjects.

A recent show at the Contemporary Art Museum
Provided by the Contemporary Art Museum

The director of the largest art museum in the United States says during turbulent political times museums should stay faithful to their missions of unifying the country.

Thomas P. Campbell, director and CEO of The Metropolitan Museum of Art in New York is the featured guest tonight at the Contemporary Art Museum’s annual distinguished speaker event. In recent weeks, he has spoken against attacks on federal funding for the arts, writing "The Folly of Abolishing the NEA" for the New York Times.

Elizabeth Vega is on the front porch of Art House in this February 6, 2017 photo, talking about a child's chalk drawing on the bricks.
Nancy Fowler | St. Louis Public Radio

St. Louis artist and activist Elizabeth Vega spends a lot of time in her home.

It’s a place in north St. Louis known as Art House, that she bought in 2015. There, she provides space for sign-making and other activities related to protest actions. She also works with local children to create kites, collages and other art to help them process their feelings. Recently, she spent five days and nights at Art House without leaving. An ankle monitoring device kept her tethered to her home.

This file photo of the painting "Exasperation" by local artist Fabio Rodriguez depicts people in his home of the Domincan Republic desperate for essentials like food and water. It was cut from an art exhibition for being potentially disturbing.
Provided | Fabio Rodriguez

St. Louis-area artist Fabio Rodriguez was devastated when a very personal piece of his work was removed from an exhibition. But did that action rise to the level of censorship?

The Prime Beauty supply store sign that was salvaged from rubble after Ferguson related protests turned chaotic has been turned into a sculpture.
Provided by Bryce Robinson

In 2014 Ferguson resident Bryce Robinson had the surreal experience of watching from a distance as his hometown became the center of national media coverage. When then-police officer Darren Wilson killed Michael Brown, the city erupted in protest.

Robinson, 29, was teaching at Notre Dame during the protests and civil unrest that occurred after the shooting. He was struck by the largely chaotic and disaster-focused narrative carried on livestreams and traditional news coverage.

He hopes to remind people of the thriving community that lived through troubled times with an exhibit at the Kranzberg Arts Center gallery.

"The Way," by Alexander Liberman, seen in this file photo, is a made of steel oil tanks. While modern, it nods to many facets of ancient architecture.
Provided | Kevin J. Miyazaki

St. Louis sculpture fans can now have a hand in taking care of public art.

Laumeier Sculpture Park in Sunset Hills is asking individuals and groups to help maintain and preserve its displays with a new adoption program. Adoptions start at $25 a year.

At the lower level, contributors get their names on Laumeier’s website and an on-site digital wall. For $50, they receive an adoption paper and a color photo of their sculpture. At the top level of $500, they get a private tour of the park with the park’s executive director. All donations are tax-deductible.

"Verdict of the People" edited to include the phrase "Don't sent me to Washington" for use on the Change.org Petition
Provided by Ilene Berman

When the St. Louis Art Museum announced that George Caleb Bingham’s “Verdict of the People” would be sent to Washington, D.C. for the inauguration of President-Elect Donald Trump, local artist Ilene Berman took to Facebook to express her displeasure. She had plenty of company.

From Radar Home by Amy Reidel, an illustration by Fox Smith and a file photo of poet Treasure Shields Redmond
Provided and file photos

The art of activism weaved its way more deeply into the St. Louis arts scene in 2016.

In this year’s Cut & Paste arts and culture podcasts, we brought you conversations with performers, poets and visual video artists, inspired personal experiences and cultural issues.

Sarrita Hunn's Sarrita Hunn, "Art As...Library"  is a number of books attached at thier ends, spine up to the wall, was displayed at an earlier exhibit celebrating Temporary Art Review's fifth anniversary.
Provided by The Luminary

A St. Louis online arts journal that reaches local, national and international readers, is about to celebrate an important milestone.  James McAnally and Sarrita Hunn founded the Temporary Art Review in 2011. To celebrate its fifth anniversary, they’re publishing a limited edition book of writing from the site.  It may sound like esoteric art stuff, but as McAnally told Willis Ryder Arnold, there’s a lot at stake.

This collage of new RAC Fellows includes, clockwise, Agnes Wilcox, Jess Dugan and Robert McDonald Jr. and Damon Davis.
Provided and file photos

The Regional Arts Commission has chosen its 2016 Artists Fellows, who will each receive $20,000 checks to help with their work.

This is the fourth year RAC has presented the awards. Winning artists do not have to designate a specific project; they may use the money in any way that helps make their work possible.

The new group of 10 features literary, visual and performing artists, including a local performer who wants to spread his love of opera.

An uncooked egg sits in stone, the shell turned transluscent by white vinegar. Through it the yolk is visible.
Provided by the Catalina Ouyang

Catalina Ouyang’s sculptures are an amalgam of unexpected materials: a raw egg soaked in white vinegar, marble, fake bones, a printed copy of Italo Calvino’s book “Invisible Cities” and basketball shorts. 

Ouyang uses the objects to examine her Chinese-American identity and challenge social pressures placed on immigrants to conform to North American norms. She specifically aims to provoke questions about how society asks immigrants to assimilate into white culture.

She wants people to consider what for her is a consistent dilemma: “How to contend with what I call the aspirational fantasy of whiteness in what I think persists as an imperialist and colonialist power structure."

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