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Beyoncé’s album “Cowboy Carter” has sparked interest in Black country artists from back in the day till now.
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The Francis Howell School Board approved new curricula for its Black history and literature classes Thursday. It comes after the board voted to pull the classes last December, objecting to Southern Poverty Law Center social justice standards in the courses.
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The East St. Louis race riot in 1917 is one of the most violent race massacres in the country and the most violent riot in the area. This riot was a predecessor of the Tulsa Race Massacre in 1921, and Viola Fletcher, one of the last survivors of the riot, said Tuesday at Southern Illinois University Edwardsville that reparations are due to survivors and their descendants.
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The Francis Howell School Board plans to vote this month on the new curricula for its Black history and literature courses the district threatened to pull unless social justice standards from the Southern Poverty Law Center were removed. Some parents say while the changes aren’t bad, they’re worried the board won't approve them.
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For 30 years, the St. Louis Symphony Orchestra’s IN UNISON Chorus has taken the music of the Black church to the symphony hall. On Friday, it celebrates its anniversary at the Stifel Theatre with gospel singer BeBe Winans. The chorus has covered a large part of the Black experience through gospel and spiritual music.
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Royce Martin’s “Memories on Morgan Street” brings Scott Joplin’s classics to the 21st century.
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Dozens of students walked out of Francis Howell North High School as part of a protest against the school board’s decision to alter the Black history and Black literature courses after initially removing them.
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“The whole purpose of racism from the beginning was to divide poor black and poor whites (so they could not) unite and create inclusive prosperity,” said former NAACP President Benjamin Jealous.
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Parents and students in the Francis Howell School District say they're concerned that the school board’s decision to change Black history and literature courses could “whitewash” Black history.
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Through colorful imagery and detailed documentation, co-authors Calvin Riley and NiNi Harris tell the stories of enslaved people, nightclub owners, soldiers and everyday Black St. Louisans.