Shakespeare | St. Louis Public Radio


A 3D rendering of the "Romeo and Juliet" stage.
Margery and Peter Spack

Neon lights and the colors of young love will brighten Forest Park over the next three weeks, when Shakespeare Festival St. Louis presents the bard's "Romeo and Juliet" for the first time since 2001.

The play runs June 1 through June 24 at 8 p.m. every night except Tuesdays. A prelude performance starts at 6:30 p.m. before each show. All performances are held on this year's outdoor stage in the Shakespeare Glen, near the St. Louis Art Museum.

The set this year mixes modern pop sensibilities with architectural features inspired by Verona, Italy, where the love story and tragedy play out. 

Actors play the part of other ghosts surrounding the ghost of King Hamlet in this November 3, 2016 photo.
Nancy Fowler | St. Louis Public Radio

As the cast of “Hamlet” carefully rehearsed for opening night, they also got ready to break something: the fourth wall — the theater term for the invisible barrier between actors and audience.

In this rendition by the Rebels and Misfits Productions’ new Immersive Theatre Project, theater-goers are part of the play, opening Saturday at the Barnett on Washington event space in Grand Center.

The interaction starts with the cocktail hour. Don’t be surprised if a character beckons you over or whispers in your ear.

This article first appeared in the St. Louis Beacon, Nov. 4, 2011 - "Anonymous" is a curious movie in a number of ways. First, for trying to make sense of the controversy over the authorship of Shakespeare's plays, the movie runs the deadly risk of being far too serious for some viewers and merely ridiculous for others. Second, probably because of that risk, the movie is occasionally both coy and overstated. Third, it's not too bad.

Why we love Richard III

May 19, 2008
Left to right: Raphe Makarewicz, Cameron Davis and Andrew Borba, who plays the title character, will star in Shakespeare Festival St. Louis' production of Richard III in Forest Park. 2008 300 pxls
Provided by Shakespeare Festival | St. Louis Beacon archives

This article first appeared in the St. Louis Beacon: He's terrible, really. A horror. He's as twisted on the outside as he is on the inside. Born a younger son to an ambitious politician, he hacks his way into power using the joint weapons of deception and fear. He aligns himself with clever but amoral men who do his bidding. He undermines the state. He is a nightmare.