When it comes to "callings" we usually think of people who feel drawn to religious career paths. But if you ask Neil deGrasse Tyson how he became an astrophysicist he says: "I think the universe called me. I feel like I had no say in the matter."
This is FRESH AIR. Harold Ramis, who died earlier this week, was a writer, director and actor who played a key role in several of the most popular comedies of the last half-century. His list of credits includes "Animal House," "Caddyshack," "Meatballs," "Stripes," "Ghostbusters," and of course "Groundhog Day." Our critic-at-large John Powers is a fan and says there was more going on in Ramis' work than you might think.
On Sept. 11, 2012, an attack on the U.S. diplomatic mission in Benghazi, Libya, killed U.S. Ambassador Chris Stevens and three other Americans. Who led this attack and why have been the subject of much controversy in Washington. Republicans have charged that the Obama administration and Hillary Clinton's State Department were at fault for not stopping what the Republicans claim was a carefully planned attack by international terrorists, including al-Qaida.
Lorrie Moore isn't quite a household name. This was news to me, because I thought that, given that she's the kind of writer who's published in The New Yorker and profiled in The New York Times, most culture vultures would know who she is. But, over the past couple of weeks when I mentioned her new book, Bark, in conversations, both in the halls of academe and over meals with friends, I mostly got blank stares. (One smarty confused her with that other great literary "Lorrie" — the late Laurie Colwin — whose short stories and novels are also essential reading.)
Comedy actor, writer and director Harold Ramis is best known for the 1984 film Ghostbusters, which he co-wrote and starred in along with Bill Murray and Dan Aykroyd. Ramis had co-written and planned to star in the long-awaited Ghostbusters III — but did not get the chance. Ramis died Monday in Chicago from an autoimmune disorder. He was 69 years old.
Ramis co-wrote Animal House, Meatballs and Stripes. He co-wrote and directedCaddyshack and directed Murray in Groundhog Day.
In the early years of World War I, as many as 1,000 American horses per day were shipped off to Europe to assist in the Allied war effort, even though the United States was officially neutral. Those horses became the target of germ warfare, infected with anthrax cultures on American soil; at the same time, mysterious explosions were rocking U.S. munitions factories, and fires were breaking out on ships headed to Europe.
1964 was a great year for cutting-edge jazz records like Albert Ayler's Spiritual Unity, John Coltrane's A Love Supreme and Andrew Hill's Point of Departure. But none sounds as far ahead of its time as Eric Dolphy's masterpiece Out to Lunch, recorded for Blue Note on Feb. 25, 1964.
The members of Vertical Scratchers don't have to pretend: They are free spirits, making music that is at once tightly composed, whimsical and anarchic.
The vocals on a Vertical Scratchers song tend to be high-pitched and yearning. John Schmersal creates harmonies from his vocal tracks that have a keening romanticism. His guitar lines are a series of slashed chords — vertical scratching, and thus the band's name. At the same time, there's a compressed intensity to the tunes, which uncoil with a snap, again and again.
Investigative reporter Julia Angwin was curious what Google knew about her, so she asked the company for her search data. "It turns out I had been doing about 26,000 Google searches a month ... and I was amazed at how revealing they were," she tells Fresh Air's Dave Davies.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week: