Nancy Fowler | St. Louis Public Radio

Nancy Fowler

Arts and Culture Reporter

Nancy Fowler is a veteran journalist whose career spans television, radio, print and online media. Her passions include the arts and social justice, with a particular delight in the stories of people working in that intersection.

She received a regional Emmy Award for news writing at WXYZ-TV in Detroit, and the Pride St. Louis' Felton T. Day Award for service to St. Louis' LGBT community. Her numerous fellowships include USC Annenberg’s NEA Arts Journalism Institute in Theater, and the Wake Forest University Addiction Studies Program for Journalists.

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Follow her on Twitter: @NancyFowlerSTL

People lined up outside the Fox Thatre last October to buy "Hamilton" tickets.
File photo | Carolina Hidalgo | St. Louis Public Radio

St. Louisans who missed out on “Hamilton” tickets now have a chance to see the sold-out musical — for the cost of a box of popcorn.

On Monday, the Fox Theater announced a lottery in which 40 orchestra-level tickets for every performance will go for $10 each. The lottery begins April 1 for the April 3 opening night.

Lottery participants can enter only once for the chance to get two tickets.

Kevin Gardner is a Gateway Men's Chorus member and an Master Sergeant in the Air Force.
Carolina Hidalgo| St. Louis Public Radio



The deep camaraderie of singing with other gay men drew Kevin Gardner to St. Louis’ Gateway Men’s Chorus. Eleven years later, the Air Force Master Sergeant believes it’s time for the group to broaden its focus.


A boy named LaRon enjoys a class at the former Intersect Arts Center building, before the organization moved into its new renovated space.
Intersect Arts Center

St. Louis artist Sarah Bernhardt had no idea she’d be teaching children when she first moved into her Gravois Park studio. But that changed after a rock sailed through her window and she invited a teenager with a good throwing arm to come inside for an art project.

That was five years ago, in the early days of her Intersect Arts Center, 3636 Texas Ave. A $3 million renovation recently transformed the center, but the commitment to free art classes for local kids remains a cornerstone.

Hip-hop artists perform during a Story Stitchers event called Make Music on the Loop, June 2017.
The Sheldon

An exhibit at the Sheldon Art Gallery will display videos and photos of young St. Louisans working through their experiences with gun violence.

“Pick the City UP” is a presentation of the Saint Louis Story Stitchers Artists Collective. The exhibit, which opens Friday, documents work from the past several years.

Susan Colangelo and several other artists founded the nonprofit in 2013 with the idea to tell stories through embroidery. Now, the work encompasses written and spoken word, including hip-hop and poetry.

McCleur High School theater students rehearse “Man of La Mancha” at the Florissant Civic Center. Feb. 21, 2018
Carolina Hidalgo | St. Louis Public Radio

St. Louis schoolchildren in well-funded school districts often enjoy newer amenities like updated textbooks and newer technology. They may also have an advantage when it comes to the arts.

The disparity of resources is illustrated by theater departments at two local high schools. Clayton High School, whose students are mostly white, gets more help from the district and the community. In Florissant, predominantly African-American McCluer High School largely relies on the theater director, Doug Erwin, for funding.

Kahlil Irving completed his BFA in art history and ceramics at the Kansas City Art Institute. In May of 2017, Irving earned his Master of Fine Arts at Washington University in St. Louis.
Kahlil Irving

St. Louis multimedia artist Kahlil Irving is only 25, but he’s enjoying a level of success many artists never see.

Much of his work, which challenges Western constructs of identity and culture, is now being shown from coast to coast. Irving embraces the rush of recognition and is enjoying being “on top.” But his work, and even his successes, conjure up issues from the past.

Injustice Bear is the title of the black-and-white piece; Justice Bear is the name of the gold and yellow work. A street artist known as finnch created the contrasting canvasses.

An international conference in Atlanta will spotlight St. Louis artists who took part in a festival designed to highlight local racial and socioeconomic divisions.

The exhibition at the Hope Global Forums conference in March stems from the inaugural St.ART street art festival  this past October in Forest Park and Fairground Park.

This article first appeared in the St. Louis Beacon, Feb. 8, 2012 - Various iterations of "Falling Man" and other works by Ernest Trova will soon land at Washington University's Modern Graphic History Library. The Trova family collection will include sketches, models, photographs, casting molds, blueprints and correspondence.

Trova, a self-trained St. Louis sculptor, died in 2009. During the 1960s and 1970s, his "Falling Man" series catapulted him to international fame. Works from the series are displayed at such institutions as MoMA and the Guggenheim in New York City, the Tate Modern in London and in several St. Louis locations including Laumeier Sculpture Park and at Brentwood and Maryland Boulevards in Clayton.

Visual artist and RAC grantee Ellie Balk works on a mural. She hopes to use some of her RAC fellowship money to create a workbook to demystify the process of creating public art.
Michael Toolan

The Regional Arts Commission of St. Louis has reached a major milestone in a program supporting local artists.

In 2013, RAC began awarding $20,000 to 10 Artist Fellows. Today, the group announced its fifth round of grants, bringing the total to $1 million.

This album was recorded live at Club Imperial in 1965.
George Edick

When George Edick Jr. was in elementary school, he received a present he’ll never forget: a guitar from Ike Turner.

Edick grew up in the 1950s around musicians like Turner who played at his father’s Club Imperial, 6306-28 West Florissant Ave., in the Walnut Park West neighborhood in northwest St. Louis.

The run-down building escaped the wrecking ball last month after the St. Louis Preservation Board voted to save it.

Erise Williams, wearing a gray and white striped shirt, stands by the window, talking with guests at Rustin's Place, a drop-in center  serving mostly young, black, gay men. January 2018
Erise Williams

Black History Month is a time to spotlight African-Americans who made a difference. But many people don’t know that prominent African-Americans were part of the LGBTQ community.

Among them was Bayard Rustin, an openly gay black man who worked side-by-side with the Rev. Martin Luther King, Jr.  The civil rights strategist who died in 1987 is honored every day at a little storefront in St. Louis’ Vandeventer neighborhood, called Rustin’s Place. It’s a drop-in center that largely serves LGBTQ people, particularly gay African-American men.

The St. Louis Symphony performs at Powell Hall in a 2016 concert.
File | St. Louis Symphony

The St. Louis Symphony has announced its 2018-2019 schedule, which includes a mixture of classics and new works.

The method of selecting the lineup was also new. For its 139th season, the orchestra asked its musicians to weigh in.

It just made sense to include them, according to Marie-Hélène Bernard, symphony president and CEO .

Carmen and Isabel Garcia with a Clydesdale, on location in September 2017 at Grant's Farm for a promotional St. Louis Blues video.
Carmen Garcia

For years, teenager Isabel Garcia performed in school plays as her mother, Carmen, beamed from the audience.

Isabel knew her mom once loved to perform, too, and had the playbills to prove it. But she’d never seen her mother on stage.

This is a recent photo of the building that once housed Club Imperial.
Robert Vroman

Updated Jan. 23 — A building that was the site of an historic St. Louis music venue will remain standing, at least for the time being.

The St. Louis Preservation Board Monday night unanimously backed a decision to deny a demolition permit for the former Club Imperial.

Building owner Robert Vroman, who bought the building last August in an auction, said he hopes public attention will entice a new buyer with plans to restore the space. The deadline for paying additional taxes is summer 2019, Vroman said. He said that if no one steps forward with a renovation offer by then, he’ll let the property return to the city for another tax auction.

This photo shows the St. Louis Symphony performing in Powell Hall in 1968.
St. Louis Symphony

In 1966, the St. Louis Symphony scrambled to find a venue for a publicized concert after plans fell through to play at the Kiel Opera House, now the Peabody Opera House. They ended up at the St. Louis Theater on Grand Boulevard.

For the musicians, the theater space just felt right, Maureen Byrne, according to director of diversity and community affairs.

“People just kind of went, ‘Whoa, this is pretty nice,’” Byrne said.

This image is a still shot from home movies of a gay pool party in 1945 that St. Louis filmmaker Geoff Story bought in an estate sale.
Geoff Story

Dozens of gay men gather for a pool party in a secluded spot in Hillsboro, Missouri. Home movies capture their easy affection and carefree dancing. 

But they’re not recent videos. The movies were taken in 1945.


This photograph by Kat Reynolds is part of the Mane 'n Tail exhibition. Other artists include LaKela Brown, Pamela Council, Baseerah Khan, Abigail Lucien, Narcissister, Yvonne Osei, Shenequa, Diamond Stingily and Rachel Youn.
Provided | Kat Reynolds

Kat Reynolds stops by the beauty products store about as often as some people shop for groceries — about three times a month.

For many women, shampoos, conditioners, extensions and weaves seem to hold the key not only to an improved appearance but also a kind of self-satisfaction, according to Reynolds. With that in mind, the photographer is curating an art exhibition, “Mane ‘n Tail,” named for a popular line of beauty products.

Reynolds said the show, which opens Jan. 19, focuses on female attractiveness and African-American culture, including money and self-determination.

Lonnie Powell's watercolor, Southsun is one of 200 works in the All Colors exhibition.
Portfolio Gallery

A longtime gallery owner is debuting an exhibition Jan. 13 that he hopes will draw people from all over the country to see African-American art in St. Louis.

“All Colors” features the work of 66 national and local artists. The Portfolio Gallery nonprofit will present the show at the Artists’ Guild, 2 Jackson Ave., in Clayton, the first exhibition following the sale of its Grand Center building.

Portfolio owner Robert Powell sold the gallery space in 2015 with the goal of supporting African-American artists.

Michael Ferguson and Betsy Bowman starred in Bluff City Theater's 2017 presentation of The Glass Menagerie.
Joe Anderson

A small theater company in Hannibal is giving larger St. Louis troupes a run for their money in a regional awards competition.

The 4-year-old Bluff City Theater is nominated for 12 Broadway World regional awards for the 2017 season, including Best Theater Company. Larger, more established institutions like Stages St. Louis and The Rep typically dominate the annual contest. A public vote decides the winners.

The Gender Workbook for Kids will be published in April.
Kelly Storck

Children who grapple with their gender identity often start asking questions in their toddler years.

They may demand parents call them "her" instead of "him," or insist they’re a boy after they were assigned female gender at birth.

These declarations make sense to St. Louis therapist Kelly Storck, who has worked with children and parents for 20 years.  But the topic of gender doesn’t always make sense to kids, or even the adults in their lives. That’s why Storck wrote her new book “The Gender Identity Workbook for Kids: A Guide to Exploring Who You Are.”