Tim Lloyd

We go through responses we’ve collected about the word woke and we spend time with regular people -- many of them white -- trying to figure out, in light of everything going on, where they fit on this spectrum.

We’ll listen in as Damon Davis and Sabaah Folayan, producers of the critically acclaimed documentary ‘Whose Streets,’ talk about their choice to make the film and how they hope it will become a lasting document.

We share the story of three playwrights who penned monologues about their experiences as black men in America. This is the first of two shows we're using to explore art and activism during the month of August.

In this episode, we give what we call “The Ally Quiz” to two best friends, and have their answers scored by one of St. Louis’ most dynamic race scholars. And then, we reveal a twist.

The fight in New Orleans over the removal of its Confederate monuments spurred action in other cities - including here in St. Louis, which just removed a confederate memorial from its lauded and most famous public park. So what now?

We get a seemingly simple question from a regular guy who wants St. Louis to do better around race and economic progress. And then we take that question to a woman who wants the same, and just so happens to have recently come into a considerable amount of power.

On the first episode of season three, a very, very special guest helps Tim and Kameel explore the whitewashing of Jesus.

Get pumped - Season 3 of your favorite race and class podcast from St. Louis is back June 13!

Even though St. Louis’ tech startup scene is growing, it is not always the most inclusive environment for women and people of color. A group of 12 local…

We hear reports from two health journalists – St. Louis Public Radio's Durrie Bouscaren and KBIA's Bram Sable-Smith about the many, many many changes undergoing the healthcare system right now.

We bring you stories about the fastest-growing group of entrepreneurs: black women and we explore the huge gap between business opportunities this group is creating for itself and its longstanding lack of access to capital from the investment community.

Reporter Willis Ryder Arnold has been covering the issue at the city's Contemporary Art Museum for months. It centers on the artwork of a young, white man from Georgia whose pieces include images from black culture and media that are then digitally altered. The work has been shown before, but when it came to CAM this past fall, it ignited a fierce debate.