art

William Morris, Brett Williams and Meghan Grubb
Nancy Fowler

Three local artists received $1,500 each on Tuesday night to help fund projects that include home movies and ideas about the spaces where we live.

In an event at The Sheldon Art Galleries, the local Critical Mass for the Visual Arts organization named the recipients of its 2015 Creative Stimulus Awards. The money helps pay for the cost of ongoing work as well as funding new projects.

The 2015 winners are:

St. Lou Fringe Festival Left, Em Piro; Middle, Alicen Moser; Right, Joe Hanrahan
Alex Heuer

Four years ago, St. Lou Fringe set out on a “passion project” to create an event that provided a networking platform for emerging artists to gain exposure. The project became known as the “St. Lou Fringe Festival,” which includes 10 days of performances from a diverse variety of art forms, including slam poetry, magic, fashion design and street performance. The overall goal of the organization is to promote St. Louis as a “hotspot for cultural and economic vitality” through arts culture.

Aunt Mamie Lang, Sister of Uncle Jim Lang to the Otey’s Nellie & Brothers ,” ca.  1890, Photographer Unknown (Star Gallery, Kansas Ci ty), ca. 1890, albumen print  cabinet card 6 ½ x 4 ¼ inches, in period frame. Collection of Robert E. Green.
The Sheldon

Pictures don’t lie, the saying goes.  But according to collector Robert Green of St. Louis’ near north side, many historic photos and other renderings of African Americans fail to tell the truth, or at least the whole story.

Fury by Josh Svoboda
St. Louis Artists' Guild

St. Louis’ oldest art institution — The Artists’ Guild — is new again.

On Tuesday, The Guild will reopen in its vast new space, at 12 North Jackson Ave. on the eastern edge of downtown Clayton.

The nearly 130-year-old organization has spent the past several months moving from the nearby Oak Knoll Park location. It was there for 20 years.

via Flickr\Orbspiders

What is art?

That is the question Alton, Ill. residents and council members debated after the owner of a tattoo parlor, Grand Piasa Body Art, proposed relocating his business to East Broadway Street, in the city’s historic downtown district.

Wreath of Sanity by Eileen Cheong, art therapist
Nancy Fowler

One out of every four people will experience mental illness in any given year. And 100 percent of them can be artists, according to an exhibit at UMSL’s Gallery 210.

Katelyn Mae Petrin / St. Louis Public Radio

A group of skaters screeched, weaving circles around the rink. Dozens of booths sat in the rink’s center. Artists sat at the booths, selling their work to the crowd that milled through the rink. The skaters flew past T-shirts printed with crass but clever jokes, collages of old pinups, fanarts of popular comics.

Shaun Thomas, working on wood with acrylic paint markers, in front of student-made masks, which will also be on display
Edo Rosenblith

Many kids with severe autism can’t speak their minds. But when they communicate their thoughts and feelings through paint, paper mache, tin foil and beads, it can be a work of art.

Art by kids with autism is on display through June 6 at Cherokee Street’s beverly gallery, in a show called "Double Rainbow." The artists are students of Giant Steps, a private school for children, teenagers and young adults up to 21, who have autism.

A sampling of teacups at McCluer High School
Nancy Fowler

A year that began with the trauma of Michael Brown’s death is ending on more positive note, thanks to a traditional tea ceremony this morning at McCluer High School.

Calls of  “To McCluer!” between principal Jane Crawford and the students, and their shared sipping, marked the official ceremony.

The Love Doll Day 24 (Diving) by Laurie Simmons
Contemporary Art Museum

Women are objectified. Men are emotionally M.I.A. Everyone is isolated. Photographer Laurie Simmons looks at these issues and more in an exhibit opening Friday at St. Louis’ Contemporary Art Museum.

“Two Boys and the Love Doll” is Simmons’ first Midwestern solo show. She’s been working with dolls for 40 years. Back in the 1970s, Simmons made dollhouses that spoke to topics America was only beginning to grapple with, according to CAM curator Jeffrey Uslip.

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