Grammy-winning trumpeter Wynton Marsalis will be performing in St. Louis next week as part of an eight city tour of Abyssinian: A Gospel Celebration, a piece he composed in honor of the 200th anniversary of a Baptist church in Harlem.
Abyssinian models a traditional Baptist church service and features the Jazz at Lincoln Center Orchestra and Chorale Le Chateau in addition to Marsalis.
Jazz trio The Bad Plus is making an extra stop in St. Louis this year. In addition to their January performance at Jazz at the Bistro, the group will be in town September 30th through October 3rd as part of Jazz St. Louis' Residency Series.
Jazz enthusiasts will be able to hear The Bad Plus discuss their work at various events, as well as listen to them perform with members of the St. Louis Symphony.
This Saturday, Grand Center, Inc. and Jazz St. Louis team up to present a showcase of American music. The event will take place at five venues in Grand Center and will feature performances by six local bands.
When they first started planning the event, they were going to present music across a wide range of genres, said Devin Rodino, communications and operations manager at Jazz St. Louis. But in the end they settled on American music --jazz, folk, blues, country and bluegrass.
From April 18th through 20th, the Greater St. Louis Jazz Festival will bring some of the greatest names in professional jazz to the stage as well as provide training opportunities for some 800 students. In its tenth year, the festival has grown to be one of the most significant festivals in the Midwest. Founded in 2004 by the University of Missouri – St. Louis and the Touhill Performing Arts Center, the festival last year added a partnership with Jazz St. Louis.
Kurt Elling is a prominent American jazz vocalist. Each of his ten albums have been nominated for a Grammy award and he has been named “Male Singer of the Year” by the Jazz Journalists Association eight times.
As a world-renowned jazz trumpeter, composer and band leader, Terence Blanchard has received five Grammy Awards and has written jazz pieces for small ensembles, symphonic settings, film and stage. But when he was contacted by Opera Theatre of Saint Louis Artistic Director James Robinson about writing an opera, his first question was “are you sure you have the right guy?” Robinson knew exactly what he was doing.