opera

Clay Hilley as Siegfried, Alexandra LoBianco as Brünnhilde
John Lamb | Union Avenue Opera

Union Avenue Opera (UAO) concludes its 21st season along with its four-year production of Wagner’s ‘Ring cycle’ with the final opera in the series, “Götterdämmerung.”

Soprano Sydney Mancasola, left, and conductor Ryan McAdams talk to 'Cityscape' host Steve Potter about the Opera Theatre of Saint Louis' Opera Tastings program on March 27, 2015, at St. Louis Public Radio in St. Louis.
Alex Heuer / St. Louis Public Radio

Interested in having a little food and wine with your opera? No problem.

The Opera Theatre of Saint Louis’ Opera Tastings pair music with food and wine samples.

“It’s an opportunity for people who maybe haven’t been in direct contact with opera singers to experience it for the first time in a very intimate and very sort of delicious setting,” conductor Ryan McAdams told “Cityscape” host Steve Potter on Friday. “I’m still glowing from the indecent amount of fun we had last night.”

Security man Steve Wilkos, played by Matt Hill, holds back the Springer studio audience in New Line Theatre's "Jerry Springer: The Opera."
Jill Ritter Lindberg / New Line Theater

"Jerry Springer: The Opera" is promoted as "very adult." It's so adult that we can't find a clip suitable for radio. 

"Jerry Springer: The Opera" opened in 2003 in London. The first U.S. performance was in Las Vegas in 2007. Now the New Line Theatre is bringing the opera to St. Louis in March.

Elizabeth Futral as Alice B. Toklas and Stephanie Blythe as Gertrude Stein
Ken Howard | OTSL

Opera Theatre of St. Louis’s “27” is the work of two men obsessed.

“I burrowed myself into a hole and completely allowed the life of Gertrude Stein to wash over me and to become part of my chemistry,” “27” librettist Royce Vavrek said on “Cityscape.”

Paintings portrayed by, from left, Daniel Brevik, Tobias Greenhalgh, and Theo Lebow; at center is Stephanie Blythe as Gertrude Stein and Elizabeth Futral as Alice B. Toklas
Ken Howard | OTSL

In a year when opera companies nationwide still struggle with the effects of the Great Recession, and sadly the venerable once-innovative New York City Opera closed, St. Louis continues to support three professional opera companies.

From the 2012 Opera on the Go program that worked with "Marriage of Figaro."
Opera Theatre of St. Louis

Many St. Louisans know about “The Pirates of Penzance” because of the 1983 movie version starring St. Louis native Kevin Kline or its more recent iterations on The Muny stage.

This month, Opera Theatre of St. Louis is using the Gilbert and Sullivan opera of the same name to introduce elementary, middle- and high-school students to a genre they may not be as familiar with.

Ron Lindsey

St. Louisans have seen the play "A Streetcar Named Desire." Now they have an opportunity to see the opera.

Quoting an original 1947 New York Daily News review of Tennessee Williams’ play, director Chris Limber said the reviewer pointed out “the tragic overtones of grand opera.”

Nearly 50 years later, composer André Previn was asked to turn the play into an opera. According to soprano Katherine Giaquinto, who plays Stella Kowalski in the Union Avenue Opera production, Previn responded: “The time it’ll take me to say yes is as long as it takes for me to hang up the phone.”

Elizabeth Futral as Alice B. Toklas with Theo Lebow, Tobias Greenhalgh and Daniel Brevik as paintings
Ken Howard | OTSL

When confronted with apparently transcendent genius, the predictable mere-mortal inclination is to concentrate attention and fascination on the person anointed with this luminous intellectual and artistic blessing and to ignore, or to try to explain away, character deficiencies – minor or monstrous. Sometimes the deficiency may be as much a part of the genius’ character as the super-human talent itself, and in some cases leaves the genius Caesar-like with the good interred with his bones.

Linda Dubinsky Skrainka
from her website

Linda Skrainka, whose brush strokes reflect everyday life and transform the banalities into large, exquisite tributes to architectural stasis, nature and ordinary moments in time, died yesterday morning.

Her oil paintings are imbued with minute details that human eyes often fail to register, making them a treasure of rediscovery. They are also, often, literal reflections as Mrs. Skrainka painted shadows and mirrored surfaces to create pictures within pictures.

Rene Barbera as Tonio in "Daughter of the Regiment."
Ken Howard | Opera Theatre of St. Louis

Night after night, St. Louis opera lovers gave Rene Barbera standing ovations for his expressive, lyrical, tenor voice. That was three years ago at Opera Theatre of St. Louis, when Barbera smoothly delivered an aria's nine high Cs as Tonio, in Gaetano Donizetti's "Daughter of the Regiment." He made the joyful high notes seem effortless.

Before the Texan left St. Louis that season, the Opera Theatre's leadership decided to stage another Donizetti opera, specifically to bring back Barbera's expressive voice.

David Gonsier as an owl and Levi Hernandez as Papageno in Opera Theatre of Saint Louis 2014 production of The Magic Flute.
Ken Howard | Opera Theatre of St. Louis

Mozart’s Songspiel “The Magic Flute” functions at the summit of human achievement as one of the most affecting and popular works in the history of this medium we call opera – Italian for “work” -- which of course that great aesthetic synthesizer is, and which each individual production is as well. Opera is very hard work.

Isaac Mizrahi
Opera Theatre of St. Louis

Those locked into the stereotype that opera is elite entertainment put on by people in ivory towers may dump that notion when they hear about two guys trying to conjure magic in Opera Theatre of St. Louis’ “The Magic Flute.” It opens Saturday at the Loretto-Hilton Theatre.

The two magic makers are Isaac Mizrahi and Sean Panikkar.

Mizrahi is “Magic Flute’s” stage director, set and costume designer. He has been applauded for his chic designs at down-to-earth prices for Target stores as well as his super glamorous couture looks.

Civica Raccolta Stampe Bertarelli Milan | Wikipedia

The mad scene in Donizetti’s opera “Lucia di Lammermoor” helped Joan Sutherland, Maria Callas and Nellie Melba soar to stardom. This weekend at Winter Opera, St. Louis soprano Gina Galati will sing the title role with its famous aria "Il dolce suono.”

“Lucia” opens Friday evening at 8 p.m. at Chaminade’s Skip Viragh Center for the Arts, 425 S. Lindbergh Blvd., and will also be presented at 3 p.m. March 9.

Provded by Winter Opera

Andrew Stuckey, in town to sing the title role in Verdi’s “Falstaff” with Winter Opera,  stopped his car along Arsenal Street last week. The baritone grabbed his cell phone and snapped a selfie in front of a faded Falstaff beer ad.

Alise O'Brien

We continue our live broadcasts of the St. Louis Symphony for the 2013-2014 season this weekend, and you can be right there with us from 8 p.m. to 10 p.m. on Saturday, Nov. 16.

On select Saturday evenings, St. Louis Public Radio broadcasts the Symphony's performance over the air, bringing you a live classical music experience wherever you are.

Here's what's planned for you this weekend:

BRITTEN   Peter Grimes (complete opera)

Opera Theatre of Saint Louis

"The Very Last Green Thing," an opera aimed for young audiences and performed by children ranging from nine to 16, opens next week at the Touhill. It will be the third production of the work by Opera Theatre of Saint Louis since the organization commissioned it in 1992.

"The inspiration for the opera actually came from kids," said Allison Felter, director of education and community engagement at Opera Theatre of Saint Louis. "We wanted to know back then what was important to them, and it was the environment."

The vocally challenging and fun-filled "La Fille du Regiment" by Donizetti will be taking the stage at Union Avenue Opera.  Then, starting Aug. 20, the atmosphere turns much darker with Tchaikovsky’s three-act tragedy “Pikovaya Dama.”

Daughter of the Regiment