Art | St. Louis Public Radio

Art

Stephanie Zimmerman | St. Louis Public Radio intern

Beginning in 1942 and for around three decades – no one seems to know for sure – a massive mural depicting a flurry of commercial activity along the St. Louis riverfront peered down upon the ticket counter at Union Station.

Philip Slein Gallery

According to the release from Philip Slein Gallery, Gary Stephen has had more than 70 solo shows and has received awards from the Whitney Biennial, the National Endowmen of the Arts and others. His work is now at the gallery at 4735 McPherson Ave through March 29.

To find out more, we went to a 2010 article by David Carrier in Art Critical about Stephan’s “Transcending Suburbia” show.

© Artists Rights Society (ARS), New York, NY / VG Bild-Kunst, Bonn

Does every picture tell a story? Is it worth a thousand words? And exactly how many dollars, Euros or, if it were the 1940s, Deutschemarks would it take to buy a work by Leonardo, Picasso or Monet?

At its core, George Clooney’s film, “The Monuments Men,” ponders the value of art. Based on a historical account of the scholars who were sent to find and secure the artworks that fell victim to Hitler’s raping of European culture, “The Monuments Men” recounts the race to rescue the art that the Nazis stole.

Donna Korando | St. Louis Public Radio and the Beacon

Nebula sent the email: "When internationally acclaimed street artist Faring Purth arrived in St. Louis last week looking to paint, all signs pointed to Cherokee as a vibrant creative district that embraces public art. With generous support from the greater St. Louis community of art lovers we pulled together funding and a boom lift to make it happen. A few days later in 20 degree temps, the form of a giant 80’ mural is taking shape on the South wall of Nebula."

Who is Faring Purth?

Stephanie Zimmerman | St. Louis Public Radio intern

*On Thursday, Cbabi Bayoc completed the final piece in his "365 Days with Dad" project. On Friday, he spoke about the project on St. Louis Public Radio's arts and culture talk show Cityscape. This article has been updated to include the audio from Cityscape.

Tonight, St. Louis artist Cbabi Bayoc plans to finish his masterpiece: the “365 Days with Dad” project.

Alfredo Jaar, The Geometry of Conscience, 2010. A woman standing before silhouettes of heads.
Kemper Art Museum

An exhibit at Washington University’s Kemper Museum — In the Aftermath of Trauma: Contemporary Video Installations —  introduces painful political conflicts to St. Louis museum goers at oblique angles.

Salon 53

Perseverance and triumph in St. Louis history will be explored in a new exhibition, opening today at Salon 53, a private art gallery in north St. Louis.

Provided by SLAM

Word from the Art Museum sent me looking for more information.

First the release: “The Saint Louis Art Museum presents Anything but Civil: Kara Walker’s Vision of the Old South. Kara Walker, the recipient of the prestigious MacArthur fellowship in 1997, is internationally renowned for her black-paper cut-out silhouettes of the American South. The free exhibition opens in Galleries 234 and 235 on Feb. 26.”

Reflection: Nicole Eisenman's Broad Range On View At CAM

Feb 13, 2014
Nicole Eisenman, Sloppy Bar Room Kiss, 2011. Oil on canvas, 39 x 48 inches. Collection of Cathy and Jonathan Miller. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Provided by CAM

Those who say they do not understand contemporary art or who question the talent needed to create the art they encounter need to see the work of Nicole Eisenman. The survey of her last 20 years of painting, sculpture, print and drawing at the Contemporary Art Museum (CAM) is powerful enough to singlehandedly answer these sort of rumbles. She clearly knows how to draw, how to paint and has something to say.

Pulitzer Foundation for the Arts
Provided by the foundation

In a recent conversation with my daughter, who works in the arts, I said that I liked to know about the artist before seeing his or her work.

She disagreed, saying that the art should be experienced on its own by each person. Expectations could cloud the impressions created.

I understand her view, but coming into something cold makes me feel vulnerable (which I’m sure she would say is a good thing) and the journalist in me wants to have done homework.

Mustard Seed Theater

Alicia Reve' Like plays Nella, a bright patch in an Alabama family whose quilts tell stories of segregation and the civil rights movement.

Last February, Alicia Reve' Like portrayed a motel maid who whooped up on Dr. Martin Luther King, Jr. in the Black Rep’s “The Mountaintop,” the story of King’s last hours.

Private Collection / courtesy Kodner Gallery

To celebrate the 250th anniversary of St. Louis, the Sheldon Art Galleries has organized a major exhibition depicting the founding of the city and the people involved. Imagining the Founding of St. Louis includes paintings, drawings, prints and sculpture by a variety of noted artists.

Sheldon Art Galleries Director and co-curator of the exhibit Olivia Lahs-Gonzales commented, “Obviously this all happened before the advent of photography so there was no photographer on the boat with the explorers, so it’s really left up to artists to kind of imagine what it was like.”

Table and Chairs
Duet Gallery

A table can connect families, foster discussion or encourage a game of cards. This weekend, a table in Grand Center also provides a canvas for artistic and cultural expression.

“Table” opened Thursday night at the new Duet art space, 3526 Washington Ave., with an evening of drinks and folk music. Friday night at 7, the custom wood design by Martin Goebel becomes the stage for a new media performance.

The exhibit's postcard is from Virginia Terpening, Morning Prayer (Self-Portrait), nd.  Oil on board. 28 x 17 inches
Provided by The Hinge

The Hinge Gallery’s Eileen G’Sell and Bryan Laughlin have organized an exhibit of artist Virginia Terpening’s newly discovered work. The show’s title, Yes Virginia, There is… is “an affirmation: of the value of an artist making art for the sake of making it, of the possibility that art from a marginalized vantage can endure as accessible to all.”

Provided by Fort Gondo

Two shows – one by up-and-coming artist and poet John Cummins and Aron Fisher; the other by established St. Louis art world fixtures Buzz Spector and Mary Jo Bang --share more than architecture at the neighboring Fort Gondo and Beverly galleries. These two-person art exhibits, Conversed and Otherwise, pair text and art object that are increasingly interesting as they are explored.

Otherwise

St. Louis Art Museum, looking to the west
Provided by the Art Museum

Visitors to the St. Louis Art Museum will see some changes in the museum's Panorama restaurant.

The museum is looking closely at the menu, service and kitchen operations after a six-month review observed a $260,000 loss. The red ink was noted in a Zoo-Museum District audit of the museum, released last week.

Layers Reveal Truths About Challenges And Beauty In RAC Show

Jan 21, 2014
Photo of David Dolak artwork
Provided by RAC

Rene Dimanche of the Regional Arts Commission has gathered three artists whose combined work makes manifest aspects of the human condition that are difficult to express. Dimanche writes that in their group exhibit, Irrevocable Fragments, artists Byron Darnell Rogers, David Dolak and Clayvon Ambrose Wesley “deal with the disintegration and re-integration of information we digest from places and people we come across in our lives.”

Our preview of the exhibits opening Friday at CAM includes video of artist Joyce Pensato doing what she loves most: playing with paint, and a look at the work of  Nicole Eisenman.

The title “I Killed Kenny” smacks of death in its reference to the recurring demise of the "South Park" icon. But the exhibit's more about Brooklyn artist Joyce Pensato bringing new life to animated characters ranging from Homer Simpson to Mickey Mouse.

For video artist Zlatko Ćosić, the concept of personal and cultural identity is a continuing evolving one. And he likes it that way.

Vanity Projects

Using words like “play” and “permissiveness” in its promotional materials, the Pulitzer Foundation for the Arts wants to make sure St. Louisans know it's operating on a different frequency in the upcoming “Reset” program.

EAC/Portfolio’s “Ebony Creations”

St. Louis-area art openings this Friday explore the beauty of nature, teapots and African-American works. “Ebony Creations” is a joint project of Portfolio Gallery and the Edwardsville Arts Center.

detail of advertising found behind old mirror
Mike Pagano

The Revisionist Inn has hosted many events you have probably missed. The current offering – an art exhibit titled Still Moving opened Jan. 3 with the type of fanfare that is typical of a Revisionist Inn event. There was live music, lots of it. The gallery owner/director, Paul Fernandes’ daughter Bernadette cooked up a feast of vegetarian curry and miscellaneous deliciousness.

Regional Arts Commission

Whether they were on stage, leaning into the kiln or creatively advocating for justice, it was a banner year for many local artists.

The Regional Arts Commission this year began an unprecedented awarding of money
to St. Louis-area artists through its Artists Count program. Dozens of visual, performing and literary artists were given grants of between $500 and $3,000 for specific projects.

pieces of wood in shape resembling sling chair
Courtesy of the artist

The current exhibit of John Watson’s artwork at Webster University’s Cecille R Hunt Gallery is titled Materials. That title will be a trigger for interpreting the artwork for some. It is likely to mean nothing to others.

The intentions implied by Materials, reinforced by Watson’s artwork and then confirmed within his exhibit text are such prevalent characteristics of current art trends that this body of work will feel familiar to those who encounter contemporary art regularly.

Provided by Perennial

A local program re-purposing broken chairs helps heal women with criminal convictions as they prepare to re-enter society.

The hit TV series “Orange Is the New Black” explores the lives of women behind bars. But even after their release, orange remains an important color to some of St. Louis' former female inmates. So do purple, green and the entire rainbow.

Provided by Kathryn Bentley

The Regional Arts Commission (RAC) today handed local artists Kathryn Bentley, Arny Nadler and eight others $20,000 each to make their dreams a reality.

Bentley, a theater artist, and Nadler, a sculptor, are among the first group of 10 visual, performing and literary artists to become RAC Artist Fellows. Their names (see full list below) were announced in a morning news conference at RAC's offices. (Note: An earlier version of the article said the offices were in University City. They are in St. Louis.)

Mary King Swayzee: Artist And Art Critic

Dec 11, 2013
photo of Mary Swayzee
Provided

Mary King Swayzee, an artist and a former art critic of the St. Louis Post-Dispatch, died Saturday of cancer at the Mari de Villa retirement community in Chesterfield. She was 84 years old, and before her illness lived in Ladue, where she maintained her residence and studio. 

Mrs. Swayzee was reared in St. Louis, attended Mary Institute (now MICDS) in St. Louis, graduated from the Master’s School, Dobbs Ferry, N.Y., in 1947, and in 1951 from Barnard College in New York City, where she majored in art history. 

Keep Calm and Carry On: The jury in the Einstein vs. Jesus: The Right to Free Thought trial is shown returning from lunch. These Nine Angry Felines are preparing to find against science on ALL counts. (Artist's writing)
Work of Jay Thompson

This article originally appeared in the St. Louis Beacon. - Artist Jay Thompson and his granddaughter Jessica literally herd cats. And yes, it’s a two-person job.

When they visit an animal shelter, Thompson woos readily approachable felines while Jessica, 10, wrangles more prospects. But their goal is not to adopt or just play with these cats but to immortalize them in Thompson’s Cat Works photography.

(Courtesy Serendipity Gallery)

Fifteen years ago, Clark Whittington was searching for a way to make his art more sellable. Inspired by a co-worker, he came up with the idea of a vending machine dispensing art.

“I used to work at a company where a friend of mine had a Pavlovian reaction to snack wrappers. When he’d hear the crinkle of cellophane, he’d buy something for himself. So that gave me the idea to put art in a vending machine,” said Whittington.

Missouri Painter Bryan Haynes Explores New Regionalism

Nov 1, 2013
Bryan Haynes

For more than thirty years, St. Louis native Bryan Haynes made his living primarily doing commercial art. But when he moved back to Missouri, he began to paint landscape scenes based on the geography and history of the region.

"Seeing it anew, I just started to paint landscapes purely for the joy of it," said Haynes. "But then those shapes in the landscape..began to describe the narrative within the paintings."

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