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The Mildred Lane Kemper Art Museum's new facade is 34 feet tall and made of pleated stainless steel.
Jeremy D. Goodwin | St. Louis Public Radio

Washington University’s Mildred Lane Kemper Art Museum once sat at the edge of a parking lot, shielded from passing traffic by a row of trees. 

Following an expansion project that closed the museum for a year and a half, it’s back open and much more visible. 

A gleaming, 34-foot-tall facade made of pleated stainless steel now calls attention to the museum of modern and contemporary art. Behind that facade are new galleries that increase the museum’s exhibition space by 50%. 

These photos were salvaged from a condemned home in the former Wendell-Phillips community in Kansas City.
Nancy Fowler | St. Louis Public Radio

Lois Conley was a teenager when her parents lost their Mill Creek neighborhood home to eminent domain. A portion of her former backyard became Market Street after the city leveled the area in the name of progress.

Conley is the founder of St. Louis' Griot Museum of Black History, which sits across the street from the site of the future National Geospacial-Intelligence Agency, in a demolished area that was part of the  St. Louis Place neighborhood.

Through Dec. 15, the north St. Louis museum is hosting an exhibition exploring how the government’s power to condemn mostly black neighborhoods has affected people in St. Louis and Kansas City. Conley and photographer Matt Rahner co-curated the display.

Conley talked with St. Louis Public Radio’s Nancy Fowler about the exhibition, “Eminent Domain/Displaced,” as well as her personal experiences of more than 50 years ago.